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—You know what Aquinas says: The three things requisite for beauty are, integrity, a wholeness, symmetry and radiance. Some day I will expand that sentence into a treatise. Consider the performance of your own mind when confronted with any object, hypothetically beautiful. Your mind to apprehend that object divides the entire universe into two parts, the object, and the void which is not the object. To apprehend it you must lift it away from everything else: and then you perceive that it is one integral thing, that is a thing. You recognise its integrity. Isn't that so?
— And then?
—That is the first quality of beauty: it is declared in a simple sudden synthesis of the faculty which apprehends. What then? Analysis then. The mind considers the object in whole and in part, in relation to itself and to other objects, examines the balance of its parts, contemplates the form of the object, traverses every cranny of the structure. So the mind receives the impression of the symmetry of the object. The mind recognises that the object is in the strict sense of the word, a thing, a definitely constituted entity. You see?
— Let us turn back, said Cranly.

 

James Joyce

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Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.

 

James Joyce

 

If the sign were not related to its object except by the mind thinking of them separately, it would not fulfil the function of a sign at all. Supposing, then, the relation of the sign to its object does not lie in a mental association, there must be a direct dual relation of the sign to its object independent of the mind using the sign. In the second of the three cases just spoken of, this dual relation is not degenerate, and the sign signifies its object solely by virtue of being really connected with it. Of this nature are all natural signs and physical symptoms. I call such a sign an index, a pointing finger being the type of the class.
The index asserts nothing; it only says "There!" It takes hold of our eyes, as it were, and forcibly directs them to a particular object, and there it stops. Demonstrative and relative pronouns are nearly pure indices, because they denote things without describing them; so are the letters on a geometrical diagram, and the subscript numbers which in algebra distinguish one value from another without saying what those values are.

 

Charles Sanders Peirce

 

Berkeley discusses the view that we must distinguish the act of perceiving from the object perceived, and that the former is mental while the latter is not. His argument against this view is obscure, and necessarily so, since, for one who believes in mental substance, as Berkeley does, there is no valid means of refuting it. He says: “That any immediate object of the senses should exist in an unthinking substance, or exterior to all minds, is in itself an evident contradiction.” There is here a fallacy, analogous to the following: “It is impossible for a nephew to exist without an uncle; now Mr. A is a nephew; therefore it is logically necessary for Mr. A to have an uncle.” It is, of course, logically necessary given that Mr. A is a nephew, but not from anything to be discovered by analysis of Mr. A. So, if something is an object of the senses, some mind is concerned with it; but it does not follow that the same thing could not have existed without being an object of the senses.

 

George Berkely

 

Poetical beauty. ...We know well what is the object of mathematics, and that it consists of proofs, and what is the object of medicine, and that it consists of healing. But we do not know in what grace consists, which is the object of poetry. 33

 

Blaise Pascal

 

I may never have experienced a centaur, but by imagining one, I know that I can also imagine others that resemble this one and yet are different. But the God of the Bible is not only One, but the only possible One. As such, He cannot become an object of knowledge. And He cannot be imagined. A god that can be imagined would be a pagan deity (of which their always can be many), but not the One of the Bible. This is why the second of the Ten Commandments forbids the making of images; that is to say, it forbids any suggestion that God can become an object of knowledge by being an object of perception. It is because He cannot become an object of knowledge that He can, and indeed must, be an object of faith.

 

Leo Strauss