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James Branch Cabell

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Surely the cosmic irony that loves men's dullness because it alone can preserve them from madness, and retorts upon the cosmic terrors with a jest, is higher than gallantry and more enduring. It arrives at tolerance for all human shortcomings; it embraces high and low in its sympathies; it achieves urbanity as a final goal. It is the stuff of which great literature is made. And Mr. Cabell is creating great literature. A self-reliant intellectual, rich in the spoils of all literatures, one of the great masters of English prose, the supreme comic spirit thus far granted us, he stands apart from the throng of lesser American novelists, as Mark Twain stood apart, individual and incomparable.
--
Vernon Louis Parrington, in The Pacific Review (December 1921), later published in Main Currents in American Thought (1927)

 
James Branch Cabell

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Cabell's Biography of Manuel had been structured as parallel examinations of three contrasting modes of life, the Way of the Artist, the Way of Chivalry, and the Way of Gallantry. Cabell's personal "picture" of gallantry is said to have derived from the phony chivalry of late 19th century Virginians, which he imbibed with his mother's milk, his family being respectably connected to the upper crust of Virginian aristocracy. ... The models he cites, however, are the gallants of Restoration Comedy ... Mark Twain, fascinated by the chivalric ideal, was quite taken with Cabell's writings on the subject. His encouragement directed to Cabell resulted in Domnei, published in 1911 as The Soul of Melicent. ... in both The Silver Stallion and in his explications, Cabell conceptualizes the progressive vitiation of the Life as a matter of the blurring of the realities of person and place by the remove of time and the world's will to be deceived, and the work of the cosmic Romancer.

 
James Branch Cabell
 

Mr. Cabell has a profound creed of comedy rooted in that romance which is his regular habit. ... only gradually did his gaiety strengthen into irony. Although that irony was the progenitor of the comic spirit which now in his maturity dominates him, it has never shaken off the romantic elements which originally nourished it. Rather, romance and irony have grown up in his work side by side. ... He allows John Charteris in Beyond Life — for the most part Mr. Cabell's mouthpiece — to set forth the doctrine that romance is the real demiurge, "the first and loveliest daughter of human vanity," whereby mankind is duped — and exalted.

 
James Branch Cabell
 

All modern American literature comes from one book by Mark Twain called Huckleberry Finn... American writing comes from that. There was nothing before. There has been nothing as good since.

 
Ernest Hemingway
 

What can any individual do? Of that, every individual can judge. There is one thing that every individual can do, — they can see to it that they feel right. An atmosphere of sympathetic influence encircles every human being; and the man or woman who feels strongly, healthily and justly, on the great interests of humanity, is a constant benefactor to the human race. See, then, to your sympathies in this matter! Are they in harmony with the sympathies of Christ? or are they swayed and perverted by the sophistries of worldly policy?

 
Harriet Beecher Stowe
 

We on Earth have just awakened to the great oceans of space and time from which we have emerged. We are the legacy of 15 billion years of cosmic evolution. We have a choice: We can enhance life and come to know the universe that made us, or we can squander our 15 billion-year heritage in meaningless self-destruction. What happens in the first second of the next cosmic year depends on what we do, here and now, with our intelligence and our knowledge of the cosmos.

 
Carl Sagan
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