Now, the redemption which we as yet await (continued Imlac), will be that of Kalki, who will come as a Silver Stallion: all evils and every sort of folly will perish at the coming of this Kalki: true righteousness will be restored, and the minds of men will be made as clear as crystal.
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Epigraph, based upon the style of Samuel Johnson in The History of Rasselas, Prince of Abissinia (1759), using a fictional reference to Imlac the philosopher in Johnson's tale.James Branch Cabell
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Is it not a pity, Guivric, that this Kalki will not come in our day, and that we shall never behold his complete glory? I cry a lament for that Kalki who will someday bring back to their appointed places high faith and very ardent loves and hatreds; and who will see to it that human passions are in never so poor a way to find expressions in adequate speech and action. Ohé, I cry a loud lament for Kalki! The little silver effigies which his postulants fashion and adore are well enough: but Kalki is a horse of another color.
James Branch Cabell
Generally, Kalki’s writings are well received by the people. There are two reasons for this. One thing is there will be humour in all his essays. Even in the saddest situation he will find something funny. … There was something very interesting about his writings. Writing the way he did, was something very great at that time, because there were no precedents to his writing style. Neither to his style or genre nor to the way the magazine was written. People talk about it even now. They say there is nothing that Kalki has not done, there is nothing left to be done. There is no scope of starting something new. Because, Kalki had experimented with everything, when it comes to the world of magazines... be it short stories, essays, cartoons, travelogues... he went to Sri Lanka in the 1930s and wrote a travelogue on Sri Lanka. People there were fanatical about Kalki. He was very popular there.
Even when he used to deliver a speech somewhere, it used to be full of humor. So people never used to allow him to speak first at any function. Because once he is through with his talk, the audience will walk away. So he used to invariably deliver only the vote of thanks. Even that used to be so funny, people used to be literally rolling on the floor.Kalki (R. Krishnamurthy) Krishnamurthy
The reason for his taking "Kalki" as a pen name was based on the myth of the "Kalki Avataram" (the final incarnation of Lord Vishnu, in the age of Kali). Through his writings, he wanted to bring about change in this age.
Kalki (R. Krishnamurthy) Krishnamurthy
Like the great European novelists of the 19th century, Kalki was a master of striking scenes and episodes. With some of the burning patriotic fervour of a Bankim Chandra and a Hari Narayan Apte, something too of the humour of Dickens and the gift of portraiture of a Thackeray Kalki spread out his novels in impressive sequence. Very often he is compared with Dickens and Thackeray for his sense of humour and his gift of portraiture respectively.
Kalki (R. Krishnamurthy) Krishnamurthy
The Silver Stallion, Jurgen, The High Place: Eighteen volumes of beautiful, worldly-wise writing by a forgotten American master. The books aren't all in print, and they range all over genre (including poetry and literary criticism). Of the fantasies, The Silver Stallion, Jurgen, and The High Place are three of the most notable, each book different but united in their sly wisdom.
James Branch Cabell
Cabell, James Branch
Cabibbo, Nicola
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