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James Branch Cabell

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I am quite content, in this Comedy of Appearances, to follow the old romancers' lead. "Such and such things were said and done by our great Manuel," they say to us, in effect: "such and such were the appearances, and do you make what you can of them."
I say that, too, with the addition that in real life, also, such is the fashion in which we are compelled to deal with all happenings and with all our fellows, whether they wear or lack the gaudy name of heroism.
--
"To Sinclair Lewis : A Foreword"

 
James Branch Cabell

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"I do not know whether behind appearances there lives and moves a secret essence superior to me. Nor do I ask; I do not care. I create phenomena in swarms, and paint with a full palette a gigantic and gaudy curtain before the abyss. Do not say, "Draw the curtain that I may see the painting." The curtain is the painting.

 
Nikos Kazantzakis
 

"Eh, Manuel, and will you re-model the world?"
"Who knows?" says Manuel, in the high pride of his youth. "At all events, I do not mean to leave it unaltered."

 
James Branch Cabell
 

A stupor and a sort of shame overwhelmed me as I heard that man trying to extract the utmost entertainment possible from the dark happenings that had been torturing me for a month.
I thought of that great voice, now silenced, which had said so clearly and forcefully that the writers of to-day imitate the caricaturists.
I, who had penetrated into the heart of humanity and returned again, found nothing human in this jiggling caricature! It was so superficial that it was a lie.
He said in front of me — of me the awful witness:
"It is man stripped of all outward appearances that I want people to see. Others are fiction, I am the truth."

 
Henri Barbusse
 

"I cannot explain. There are things that I can't make clear, because you are wilfully blind to all that I believe in. For what do you imagine we are fighting this great war, if it is not to reestablish the belief in love as the guiding principle of life?"
Laird shook his head. "We are fighting to redress a balance, which was in danger of being lost."
"The balance of power?"
"Heavens! — no! The balance of philosophy."
Pierson smiled. "That sounds very clever, George; but again, I don't follow you."
"The balance between the sayings: 'Might is Right,' and 'Right is Might.' They're both half-truth, but the first was beating the other out of the field. All the rest of it is cant, you know. And by the way, sir, your Church is solid for punishment of the evildoer. Where's mercy there? Either its God is not merciful, or else it doesn't believe in its God.

 
John Galsworthy
 

The primary meaning of the words "modern," "modernity," with which recent times have baptised themselves, brings out very sharply that feeling of "the height of time" which I am at present analysing. "Modern" is what is "in the fashion, "that is to say, the new fashion or modification which has arisen over against the old traditional fashions used in the past. The word "modern" then expresses a consciousness of a new life, superior to the old one, and at the same time an imperative call to be at the height of one's time. For the "modern" man, not to be "modern" means to fall below the historic level.

 
Jose Ortega y Gasset
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