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James Berardinelli

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Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics.
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Review of Die Hard (1988)

 
James Berardinelli

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Originally I was content to just simply accept the money, that was offered when people had adapted my comic books into films. Eventually I decided to refuse to accept any of the money for the films, and to ask if my name could be taken off of them, so that I no longer had to endure the embarrasment of seeing my work travested in this manner. The first film that they made of my work was "From Hell" Which was an adaptation of my "Jack the Ripper" narrative … In which they replaced my gruff Dorset police constable with Johhny Depp's Absinthe-swigging dandy. The next film to be made from one of my books was the regrettable "League of Extraordinary Gentlemen"... Where the only resemblence it had to my book was a similar title. The most recent film that they have made of mine is apparently this new "V for Vendetta" movie which was probably the final straw between me and Hollywood. They were written to be impossible to reproduce in terms of cinema, and so why not leave them simply as a comic in the way that they were intended to be. And if you are going to make them into films, please try to make them into better ones, than the ones I have been cursed with thus far.

 
Alan Moore
 

"Film star," "movie star" — whatever they want to try to call you is limiting, in the sense that I think an actor has to be able to play characters. To separate these things — you know: "leading man," "action hero," "character actor," stuff like that — I guess if I want to be close to anything, it would be a character actor, which is what I think an actor should be. So any of that "movie star" stuff, I just don't buy it. It just doesn't make sense to me.

 
Johnny Depp
 

Is that a sacrilege that I praise a Holocaust movie [Schindler's List] for being entertaining? The word doesn't imply that a movie need be cheerful. In my mind, entertainment in this genre springs from characters who are brought to full life, who we care about and who are set in a powerful story. My motto: "No good movie is depressing. All bad movies are depressing."

 
Roger Ebert
 

Danny Boyle: "When I use somebody's song in a film, I like them to see the movie, if possible, so they know how it's used. She came into the cutting room and watched it. You get a lot of people giving you notes on films when you're making them, and most of them are rubbish, to be honest. People might think they're good. Well, she came in told me the film was very good, but said, "Do you want some notes?" She gave me two specific notes, both of which we included in the film, essentially saying, "If you do that there, you'll understand why he gets on the show." She's very smart."

 
M.I.A.
 

If you're in the mood for something that's completely visceral and mindless (really mindless — the plot is a joke, filled with contrivances and coincidences), this movie will fit the bill. Parts of it are excruciatingly bad, but there are numerous examples of well-directed action that, on balance, compensate for the worst gaffes. This is a poor man's Die Hard. It has the explosions, gunplay, and spectacular stunts, but little of the wit and intelligence. In other words, it's a typical summer action flick.

 
James Berardinelli
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