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You're working in freezing water up to your waist for hours at a time.You're reaching down, moving rocks, bringing in the rock and the gravel and working it all the time, with your hands, with the shovels. Moving always this debris, to get rid of the debris, to pull out the little tiny samples of your future, the little tiny pieces that are going to make everything possible for you. Going to buy you the means to get rid of your mortgage, that are going to make it possible to buy some more land in Iowa, in order to move, and then pack up and go to some new place. All of that is built into every effort you're making, every single day.
--
About gold mining

 

J. S. Holliday

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Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device. For that tiny fraction, the copyright creates incentives to produce and distribute the creative work. For that tiny fraction, the copyright acts as an "engine of free expression."
But even for that tiny fraction, the actual time during which the creative work has a commercial life is extremely short. As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.

 

Lawrence Lessig

 

Money cannot make armaments. Armaments can only be made by the skill of the British working class, and it is the British working class who would be called upon to use them. To-day you have the most glorious opportunity that the workers have ever had if you will only use the necessity of capitalism in order to get power yourselves. The capitalists are in your hands. Refuse to make munitions, refuse to make armaments, and they are helpless. They would have to hand the control of the country over to you.

 

Stafford Cripps

 

Take movement for example. Forces acting up, down, or from side to side. You make theories to explain it all, but you might well remember that it was you that invented them all. For Mach there was no reason to believe the rest of the cosmos was doing what your little bit was doing, so science should only describe not try to explain. Even description is relative. Am I moving or is the back ground? Or take the position of a star. It depends on the position you see it from, which depends on the date and time, which in turn depends on the position of the earth, in a solar orbit, in a solar system, moving around the edge of a Galaxy which may be moving away from other Galaxies. Say that you've decided that I'm moving and the background is standing still. Is the background moving relative to something else?

 

James (science historian) Burke

 

Always remember the objects you are working with. When you make a bridge, remember you are putting steel on stone and dirt. ... Some day you will write poems to a little girl: marks with ink on paper. ... When you are making love, you are moving flesh against flesh. That is the basis of all magic.

 

Samuel R. Delany