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By the time I came to England at the age of sixteen I'd seen a great variety of landscapes. I think the English landscape was the only landscape I'd come across which didn't mean anything, particularly the urban landscape. England seemed to be very dull, because I'd been brought up at a much lower latitude — the same latitude as the places which are my real spiritual home as I sometimes think: Los Angeles and Casablanca. I'm sure this is something one perceives — I mean the angle of light, density of light. I'm always much happier in the south — Spain, Greece — than I am anywhere else. The English one, oddly enough, didn't mean anything. I didn't like it, it seemed odd. England was a place that was totally exhausted.
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Interviewed by James Goddard and David Pringle (1975)

 

J. G. Ballard

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This book is a ripped, by no mean reliable map of some of the landscapes that make up a particular phase of my life. It’s about places where things happened or didn’t happen, places where I stayed and things that have stayed with me, places I’d wanted to see or places I passed through or just ended up. In a way they’re all the same place—the same landscape—because the person these things happened to was the same person who in turn is the sum of all things that happened or didn’t happen in these and other places. Everything in this book really happened, but some of the things that happened only happened in my head; by that same token, all the things that didn’t happen didn’t happen there too.

 

Geoff Dyer

 

Norman saw on English oak.
On English neck a Norman yoke;
Norman spoon to English dish,
And England ruled as Normans wish;
Blithe world in England never will be more,
Till England's rid of all the four.

 

Walter Scott

 

The alembic of English tolerance has operated by now on the newer arrivals as well. Their sons have taken part in English life, contributed to English achievement, striven for England's betterment, shed their blood in England's wars.

 

Cecil Roth

 

The kinds of landscape I try to find in my films...exist only in our dreams. For me a true landscape is not just a representation of a desert or a forest. It shows an inner state of mind, literally inner landscapes, and it is the human soul that is visible through the landscapes presented in my films.

 

Werner Herzog

 

England is the country of the English... England is the stage on which the drama of English history was played and the setting within which the English became conscious of themselves as a people ... when politicians and preachers attempt to frighten and cajole the English into pretending away the distinction between themselves and people of other nations and other origins, they are engaged in undermining the foundation upon which democratic government by consent and peaceable civilised society in this country are supported ... those who at the end of the twentieth century wish to keep alive that consciousness of being English, which seemed so effortless and uncontroversial to our forefathers, will discover that they are called upon, if they take their purpose seriously, to confront the most arrogant and imposing prejudices of their time.

 

Enoch Powell