Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.
--
regarding Marco Travaglio, Il pollaio delle libert?, Vallecchi, 1995Indro Montanelli
» Indro Montanelli - all quotes »
No, Travaglio kills no one. With a knife. He uses a weapon much more refined and unendictable in court: the archive.
Indro Montanelli
If I wasn't an actor, I think I'd have gone mad. You have to have extra voltage, some extra temperament to reach certain heights. Art is a little bit larger than life — it's an exhalation of life and I think I you probably need a little touch of madness.
Laurence Olivier
As Adolf Berle, a fellow cold warrior, once remarked, 'Being vindicated by history is cold comfort.' For one thing, the political scars of those with whom one has polemicized seem more long-lasting and painful than their memories of the political issues that gave rise to them. And yet indifference to the political life of one's times I deem a flagrant expression of moral irresponsibility. Those who profess such indifference owe the intellectual and cultural freedoms in which they luxuriate to the commitment and sacrifices of others.
Sidney Hook
I've also grown as an actor as I've got older in life. I've learnt how to go to work, immerse myself 100 per cent in the character and, at the end of the day, take it all off and go back, get a nice bubble bath, have a nice massage and realise that is not my life. And that feels good.
Halle Berry
In 1987 a Civil Service inquiry decided that the pay of the Director of the Tate Gallery should match that of the Director of the much larger Victoria & Albert Museum and of the National Gallery, where the pictures were regarded as being much more important, because, and here I quote, "the Director of the Tate has to deal with the very difficult problem of modern art".
Nicholas Serota
Montanelli, Indro
Montecarlo, Sophia
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