Growing up, I was surrounded by Nazi imagery, like everybody in Germany, and for a boy obsessed with photography it left an indelible impression on me. Later this influence was tempered by Brassa? and Dr. Erich Salomon. My love of photography at night started with m early experience of … the Brelin undergrund stations. Even today I love photographing by the light of street lamps or in the glare of my flash.
--
American Photo (January/February 2000), p. 90Helmut Newton
» Helmut Newton - all quotes »
"It’s just like when the Allies were victorious over Nazi Germany in World War II, when we occupied the country, we left a lot of Nazis in place because they were the ones who made the trains run on time and the bureaucracy function properly, etc. And it was distasteful, but you needed them. And in fact, our experience in Iraq kind of demonstrates the wisdom of that, because in Iraq we replaced the Baathist bureaucrats and the result was chaos. Not to compare Wall Street to Iraq or Nazi Germany, but the point is you need people who know what they’re doing."
Mark Haines
The tradition of portrait painting, to embellish or idealize the subject, remains the aim of everyday and of commercial photography, but it has had a much more limited career in photography considered as art. Generally speaking, the honors have gone to the Cordelias.
Susan Sontag
The irony about my photography is that making these pictures constantly reminds me of my past. But life continues without regard for my own struggles growing up. It is for this reason that today I make these pictures to lend the voice I have been given to those who like me then, are still living in poverty today."
Manuel Rivera-Ortiz
The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality; the real object is often experienced as a letdown.
Susan Sontag
Vishniac came back from his trips... with a collection of photographs that has become an important historical document, for it gives us a last minute look at the human beings he photographed just before the fury of the Nazi brutality exterminated them. Vishniac took with him on this self-imposed assignment... a rare depth of understanding and a native son's warmth and love for his people. ~ Edward Steichen, ex-director of photography at the Museum of Modern Art, in the 1950s.
Roman Vishniac
Newton, Helmut
Newton, Huey P.
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