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Hawthorne Heights

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you are the only station. you play the song I know.

 
Hawthorne Heights

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While sitting in my prison cell, I was astonished to hear the local rock station play a new song by the Beatles entitled "Come Together." Although the new version was certainly a musical and lyrical improvement on my campaign song, I was a bit miffed that Lennon had passed me over this way. (I must explain that even the most good-natured persons tend to be a bit touchy about social neglect while in prison). When I sent a mild protest to John, he replied with typical Lennon charm and wit: that he was a tailor and I was a customer who had ordered a suit and never returned. So he sold it to someone else.

 
Timothy Leary
 

Hey, Mr. Tambourine Man, play a song for me.
I'm not sleepy and there is no place I'm going to.
Hey, Mr. Tambourine Man, play a song for me.
In the jingle-jangle morning, I'll come following you.

 
Bob Dylan
 

This is the song of the men who have no place, played by a man who has never had a place, and can therefore play it. Listen to it. You know this song, remember? This is the song you close your ears to every night, so you can sleep. This is the song you drink five martinis every evening not to hear. This is the song of the Great Loneliness, that creeps in the desert wind and dehydrates the soul. This is the song you'll listen to on the day you die. When you lay there in bed and sweat it out, you know that all the doctors and nurses and weeping friends don't mean a thing and can't help you any, can't save you one small bitter taste of it, because you are the one that's dying and not them; when you wait for it to come and know the sleep will not evade it and martinis will not put it off and conversation will not circumvent it and hobbies will not help you to escape it; then you will hear this song and remembering, recognize it. This song is Reality. Remember? Surely you remember?

 
James Jones
 

I was traveling in Greece as a teenager, and for those who haven't been to Greece, it's absolutely covered in olive groves — stunted, gnarly little bonsai-type trees. And I was driving on a moped and a huge black stallion had pulled away from its stake and was just going nuts in this tiny, tiny, hobbit-like forest. It was just such a powerful image, this enormous beast let loose and going wild in a fairy-tale wood of tiny trees... The song itself is really about going through the process of making the first album. It was a very strange experience and a very steep learning curve. For the previous 10 or 15 years, I'd been completely my own boss — when you play a gig, you just play your new song, the new song is always your favorite. And here I was having to make an album of stuff that's never gonna go away. I was being asked to make these huge decisions, so really the song is just about learning to listen to your guts again. There's actually very few times in our lives now when we have to do that.

 
KT Tunstall
 

The whole trouble with a folk song is that once you have played it through there is nothing much you can do except play it over again and play it rather louder. Most Russian music, indeed, consists in ringing changes on this device, skilfully disguised though the fact may be.

 
Constant Lambert
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