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The artist's tact in meeting the author in the wood where things have no names kept their association alive for the seven years that Carroll was puttering with the book [Sylvie and Bruno] and that Furniss was supposed to be looking at the pictures.
--
Florence Becker Lennon, The Life of Lewis Carroll (1962), p.366

 

Harry Furniss

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We worked together for seven years. Tenniel and other artists declared I would not work with Carroll for seven weeks! I accepted the challenge, but I, for that purpose, adopted quite a new method. No artist is more matter-of-fact or businesslike than myself: to Carroll I was not Hy. F., but someone else, as he was someone else. I was wilful and erratic, bordering on insanity. We therefore got on splendidly.

 

Charles (Lewis Carroll) Dodgson

 

We worked together for seven years. Tenniel and other artists declared I would not work with Carroll for seven weeks! I accepted the challenge, but I, for that purpose, adopted quite a new method. No artist is more matter-of-fact or businesslike than myself: to Carroll I was not Hy. F., but someone else, as he was someone else. I was wilful and erratic, bordering on insanity. We therefore got on splendidly.

 

Lewis Carroll

 

We worked together for seven years. Tenniel and other artists declared I would not work with Carroll for seven weeks! I accepted the challenge, but I, for that purpose, adopted quite a new method. No artist is more matter-of-fact or businesslike than myself: to Carroll I was not Hy. F., but someone else, as he was someone else. I was wilful and erratic, bordering on insanity. We therefore got on splendidly.

 

Harry Furniss

 

I once wrote, in The Information, that an Englishman wouldn't bother to attend a reading even if the author in question was his favorite living writer, and also his long-lost brother — even if the reading was taking place next door. Whereas Americans go out and do things. But Meeting the Author, for me, is Meeting the Reader. Some of the little exchanges that take place over the signing table I find very fortifying: they make up for some of the other stuff you get.

 

Martin Amis

 

I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self. In the case of a work which is a mere exhibition of skill in conventional art, there may be some excuse for the delusion that the longer the artist works on it the nearer he will bring it to perfection. Yet even the victims of this delusion must see that there is an age limit to the process, and that though a man of forty-five may improve the workmanship of a man of thirty-five, it does not follow that a man of fifty-five can do the same.
When we come to creative art, to the living word of a man delivering a message to his own time, it is clear that any attempt to alter this later on is simply fraud and forgery. As I read the old Quintessence of Ibsenism I may find things that I see now at a different angle, or correlate with so many things then unnoted by me that they take on a different aspect. But though this may be a reason for writing another book, it is not a reason for altering an existing one.

 

George Bernard Shaw