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Hans Hofmann

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The relative meaning of two physical facts in a emotionally controlled relation always creates the phenomenon of a third fact of a higher order, just as two musical sounds, heard simultaneously create the phenomenon of a third, fourth or fifth. The nature of this higher third is non-physical. In a sense it is magic. Each such phenomenon always overshadows the material qualities and the limited meaning of the basic factors from which it has sprung. For this reason Art expresses the highest quality of the spirit when it is surreal in nature; or, in terms of the visual arts, when it is of a surreal plastic nature.
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"Search for the Real in the Visual Arts", p. 41

 
Hans Hofmann

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The significance of a work of art is determined then by the quality of its growth. This involves intangible forces inherent in the process of development. Although these forces are surreal (that is, their nature is something beyond physical reality), they, nevertheless, depend on a physical carrier. The physical carrier (commonly painting or sculpture) is the medium of expression of the surreal. Thus, an idea is communicable only when the surreal is converted into material terms. The artist’s technical problem is how to transform the material with which he works back into the sphere of the spirit.

 
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The reciprocal relation of color to color produces a phenomenon of a more mysterious order. This new phenomenon is psychological. A high sensitivity is necessary in order to expand color into the sphere of the surreal without losing creative ground. Color stimulates certain moods in us. It awakens joy or fear in accordance with its figuration. In fact, the whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.

 
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It must be observed at the outset, that the phenomenon we investigate — Universal History — belongs to the realm of Spirit. The term "World," includes both physical and psychical Nature. Physical Nature also plays its part in the World's History, — and attention will have to be paid to the fundamental natural relations thus involved. But Spirit, and the course of its development, is our substantial object.

 
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So it happens at times that a person believes that he has a world-view, but that there is yet one particular phenomenon that is of such a nature that it baffles the understanding, and that he explains differently and attempts to ignore in order not to harbor the thought that this phenomenon might overthrow the whole view, or that his reflection does not possess enough courage and resolution to penetrate the phenomenon with his world-view.

 
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The fundamental idea of all Indian religion is one common to the highest human thinking everywhere. The supreme truth of all that is is a Being or an existence beyond the mental and physical appearances we contact here. Beyond mind, life and body there is a Spirit and Self containing all that is finite and infinite, surpassing all that is relative, a supreme Absolute, originating and supporting all that is transient, a one Eternal. A one transcendent, universal, original and sempiternal Divinity or divine Essence, Consciousness, Force and Bliss is the fount and continent and inhabitant of things.
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