Yquotes.com

 

The Spanish war and other events in 1936-7 turned the scale and thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism, as I understand it. It seems to me nonsense, in a period like our own, to think that one can avoid writing of such subjects.
--
"Why I Write," Gangrel (Summer 1946)

 

George Orwell

» George Orwell - all quotes »

Similar quotes

 

Bad writing days are days when you mean to write and can't, or are interrupted so frequently that nothing gets done. I'm disheartened at how often I see the blogs of aspiring writers bemoaning how slowly a book or story is coming along. They have somehow gotten it in their heads that writing is a thing done quickly, efficiently, like an assembly line with lots of shiny robotic workers. The truth, of course, is that writing is usually slow, and inefficient, and more like trying to find a cube of brown Jello that someone's carelessly dropped into a pig sty. Five hundred words in a day is good. So is a thousand. Or fifteen hundred. A good writing day is a day when one has written well, and the word counts be damned. Finishing is not the goal. Doing the job well is the goal. And I say that as someone with no means of financial support but her writing, as someone who is woefully underpaid for her writing, and as someone with so many deadlines breathing down her neck that she can no longer tell one breather from the other. Sometimes, I forget this, that daily word counts are irrelevant, that writing is not a race to the finish line. One need only write well if one wishes to be a writer. A day when one does not do her best merely so that more may be written, that's a bad writing day.

 

Caitlin R. Kiernan

 

On a couple of occasions in the last weeks, I just said some things that weren‘t in keeping with what I knew to be the case and what I had written about in my book. And you know, I‘m embarrassed by it. I‘m very sorry I said it. I have said that, you know, it just didn‘t jive with what I had written about and knew to be the truth.

 

Hillary Clinton

 

I can tell you that I may be a lot of things but I am not dumb. And I wrote about going to Bosnia in my book in 2004, I laid it all out there. And you’re right, on a couple of occasions in the last weeks I just said some things that weren’t in keeping with what I knew to be the case and what I had written about in my book. And you know, I‘m embarrassed by it. I‘m very sorry I said it. I have said that, you know, it just didn‘t jive with what I had written about and knew to be the truth. So I know that it is something that some people have said, “Wait a minute. What happened here?” But I have talked about this and written about it and then, unfortunately, in a few occasions I was not as accurate as I have been in the past.

 

Hillary Clinton

 

..In 1936, when the last issue of 'Abstraction-Création' appeared, Europe was in a deep slump. Hitlerism was rampant in Germany and many artists had already fled there.. ..There were evil portents on the horizon; night was about to descend over Europe. It was at that moment that America took up the case of abstract art. The association of 'American Abstract Artists' was founded that year, and it was also in 1936 that the exhibition '‘Cubism and Abstract Art' was held at the Museum of Modern Art in New York.. ..At about this time a flood of refugees – artists, intellectuals, and men of science – began to pour into the United States.

 

Michel Seuphor

 

I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.

 

Edgar Rice Burroughs