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A genuine work of art must mean many things; the truer its art, the more things it will mean. If my drawing, on the other hand, is so far from being a work of art that it needs THIS IS A HORSE written under it, what can it matter that neither you nor your child should know what it means? It is there not so much to convey a meaning as to wake a meaning. — But a man may then imagine in your work what he pleases, what you never meant! — Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things; what matter whether I meant them or not?

 

George MacDonald

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imagine a child sitting and drawing with a pencil, drawing whatever occurs to a child, whatever a child recklessly and disconnectedly dashes off; but behind the child stands an invisible artist who guides his hand so that the drawing that is about to become disordered submits to the law of beauty, so that the line that is about to go astray is called back within the boundary of beauty-imagine the child’s amazement! Or imagine that child puts his drawing aside in the evening, but while he sleeps a friendly hand finishes the jumbled and poorly begun sketch-imagine a child’s wonder when he sees his drawing again in the morning! So also with a person; let us never forget that even the more mature person always retains some of the child’s lack of judgment, especially if the prayer is to assist the explanation, not as the essential but as the means.

 

Soren Aabye Kierkegaard

 

To perceive is to construct intellectually, and if the child draws things as he conceives them, it is certainly because he cannot perceive them without conceiving them. But to give up gradually the spurious absolutes situated away and apart from the context of relations that has been built up during experience itself is the work of a superior kind of rationality. When the child comes to draw things as he sees them, it will be precisely because he has given up taking isolated objects in and for themselves and has begun to construct real systems of relations which take account of the true perspective in which things are connected.

 

Jean Piaget

 

Take any one of those items and extrapolate it into sophisticated adult terms and apply it to your family life or your work or your government or your world and it holds true and clear and firm. Think what a better world it would be if we all — the whole world — had cookies and milk about three o’clock every afternoon and then lay down with our blankies for a nap. Or if all governments had as a basic policy to always put things back where they found them and to clean up their own mess.
And it is still true, no matter how old you are — when you go out into the world, it is best to hold hands and stick together.

 

Robert Fulghum

 

Each work of art is a complete entity existing in its own right and by its own particular logic. It has its own reality and is independent of any particular creed or theory as a justification for its existence. This is not to say that artistic development may be considered as a self-sufficient process unrelated to social reality, because art is always concerned with the deeper and fundamentally human things; and any consideration of art is a consideration of humanity. But it does mean that we cannot apply the principles and logic of the past to a new work of art and hope to understand it. The eternal verities with which the artist is concerned do not change, but our conception of art does, as does our conception of form, and these must be extended if we are to understand fully and basically the meaning of a new work. It is a complex matter, but the elemental principles are always simple. The mass of modern art theory that developed around the fantastic changes of this century's painting can be largely ignored; only one or two fundamental principles are important. Probably most important in the new aesthetics from the painter's point of view was the statement of Degas, seventy years ago, in his unheeded advice to the Impressionists. He spoke then of a "Transformation in which imagination collaborates with memory... It is very well to copy what one sees; it is much better to draw what one has retained in one's memory”…This attitude, and all it implies, underlines the work of practically every painter of importance since 1900. Ultimately, it meant that the day of stage props and models was gone, and that imagination was recognised as the most important quality in an artist.

 

Patrick Swift

 

Within the next ten years Rossum's Universal Robots will produce so much wheat, so much cloth, so much everything that things will no longer have any value. Everyone will be able to take as much as he needs. There'll be no more poverty. Yes, people will be out of work, but by then there'll be no work left to be done. Everything will be done by living machines. People will do only what they enjoy. They will live only to perfect themselves... But before that some awful things may happen, Miss Glory. That just can't be avoided. But then the subjugation of man by man and the slavery of man to matter will cease. Never again will anyone pay for his bread with hatred and his life. There'll be no more laborers, no more secretaries. No one will have to mine coal or slave over someone else's machines. No longer will man need to destroy his soul doing work that he hates.

 

Karel Capek