Yquotes.com

 

I see the future development of painting taking place in workshops... not in any holy temple of the arts.
--
Quoted in William Bolcom, "The End of the Mannerist Century," from The Pleasure of Modernist Music, ed. Arved Ashby (2004, ISBN 1580461433)

 

George Grosz

» George Grosz - all quotes »

Similar quotes

 

It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.

 

Phillip Guston

 

I used to say that arts were talked about in the arts and leisure page. Now, why would it be arts and leisure? Why do we think that arts are leisure? Why isn't it arts and science or arts and the most important thing in your life? I think that art has become a big scarlet letter in our culture.
It's a big "A." And it says, you are an elitist, you're effete, or whatever those things...do you know what I mean? It means you don't connect. And I don't believe that. I think we've patronized our audiences long enough.
You can do things that would bring people to another place and still get someone on a very daily mundane moving level but you don't have to separate art from the masses.

 

Julie Taymor

 

You and We — here together in spirit.
One Temple for all — for all, One God.
Manifold worlds dwell in the Abode of the Almighty,
And the Holy Spirit soars throughout.
The Renovation of the World will come —
the prophecies will be fulfilled.
People will arise and build a New Temple.

 

Nicholas Roerich

 

Painting has nothing to do with thinking, because in painting thinking is painting. Thinking is language – record-keeping – and has to take place before and after. Einstein did not think when he was calculating: he calculated – producing the next equation in reaction to the one that went before – just as in painting one form is a response to another and so on."

 

Gerhard Richter

 

The aesthetics of painting were always in a state of development parallel to the development of painting itself. They influenced each other and vice versa. But all of the sudden, in that famous turn of the century a few people thought they could take the bull by the horns and invent an aesthetic beforehand. After immediately disagreeing with each other, they began to form all kind of groups, each with the idea of freeing art... The question as they saw it, was not so much what you could paint, but what you could not paint. You could not paint a house or a tree or a mountain. It was then that the subject matter came into existence as something you ought not to have.

 

Willem de Kooning