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Berkeley’s argument consists of two parts. On the one hand, he argues that we do not perceive material things, but only colours, sounds, etc., and that these are “mental” or “in the mind.” His reasoning is completely cogent as to the first point, but as to the second it suffers from the absence of any definition of the word “mental.” He relics, in fact, upon the received view that everything must be either material or mental, and that nothing is both.
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Bertrand Russell, in A History of Western Philosophy (1945), Ibid., Ch. XVI, "Berkeley", p. 651.

 

George Berkely

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Berkeley discusses the view that we must distinguish the act of perceiving from the object perceived, and that the former is mental while the latter is not. His argument against this view is obscure, and necessarily so, since, for one who believes in mental substance, as Berkeley does, there is no valid means of refuting it. He says: “That any immediate object of the senses should exist in an unthinking substance, or exterior to all minds, is in itself an evident contradiction.” There is here a fallacy, analogous to the following: “It is impossible for a nephew to exist without an uncle; now Mr. A is a nephew; therefore it is logically necessary for Mr. A to have an uncle.” It is, of course, logically necessary given that Mr. A is a nephew, but not from anything to be discovered by analysis of Mr. A. So, if something is an object of the senses, some mind is concerned with it; but it does not follow that the same thing could not have existed without being an object of the senses.

 

George Berkely

 

"To say that a thing is imaginary is not to dispose of it in the realm of mind, for the imagination, or the image making faculty, is a very important part of our mental functioning. An image formed by the imagination is a reality from the point of view of psychology; it is quite true that it has no physical existence, but are we going to limit reality to that which is material? We shall be far out of our reckoning if we do, for mental images are potent things, and although they do not actually exist on the physical plane, they influence it far more than most people suspect." --Dion Fortune, Spiritualism and Occultism

 

Dion Fortune

 

Of patience there is this to be said. To be patient is to suffer. By their fruits men know one another, but by their sufferings they are what they are. And suffering is not merely the endurance of physical or mental anguish, but of joy also. A rabbit caught in a trap may be supposed to suffer physical anguish : but it suffers nothing else. The man crucified may be supposed to suffer physical & mental anguish, but he suffers also intense happiness and joy. The industrialist workman is often simply as a rabbit in a trap ; the artist is often as a man nailed to a cross. In patience souls are possessed. No lower view of the matter will suffice.

 

Eric Gill

 

It is customary to define psychiatry as a medical specialty concerned with the study, diagnosis and treatment of mental illnesses. This is a worthless and misleading definition. Mental illness is a myth. Psychiatrists are not concerned with mental illnesses and their treatments. In actual practice they deal with personal, social and ethical problems in living.
I have argued that, today, the notion of a person "having a mental illness" is scientifically crippling. It provides professional assent to a popular rationalization — namely that problems in living experienced and expressed in terms of so-called psychiatric symptoms are basically similar to bodily diseases.
Moreover, the concept of mental illness also undermines the principle of personal responsibility, the ground on which all free political institutions rest.

 

Thomas Szasz

 

Nature consists of the elements given by the senses. Primitive man first takes out of them certain complexes of these elements that present themselves with a certain stability and are most important to him. The first and oldest words are names for "things". ... The sensations are no "symbols of things". On the contrary the "thing" is a mental symbol for a sensation-complex of relative stability. Not the things, the bodies, but colours, sounds, pressures, times (what we usually call sensations) are the true elements of the world.

 

Ernst Mach