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To say it once again: today I find it an impossible book — badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.
--
"Attempt at a Self-Criticism", p. 5.

 

Friedrich Nietzsche

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Some years ago, I wrote a book called The Emperor's New Mind and that book was describing a point of view I had about consciousness and why it was not something that comes about from complicated calculations. So we are not exactly computers. There's something else going on and the question of what this something else was would depend on some detailed physics and so I needed chapters in that book, which describes the physics as it is understood today. Well anyway, this book was written and various people commented to me and they said perhaps I could use this book for a course Physics for Poets or whatever it is if it didn't have all that contentious stuff about the mind in that. So I thought, well, that doesn't sound too hard, all I'll do is get out the scissor out and snip out all the bits, which have something to do with the mind. The trouble is that if I did that — and I actually didn't do it — the whole book fell to pieces really because the whole driving force behind the book was this quest to find out what could it be that constitutes consciousness in the physical world as we know it or as we hope to know it in future

 

Roger Penrose

 

You will want a book which contains not man's thoughts, but God's — not a book that may amuse you, but a book that can save you — not even a book that can instruct you, but a book on which you can venture an eternity — not only a book which can give relief to your spirit, but redemption to your soul — a book which contains salvation, and conveys it to you, one which shall at once be the Saviour's book and the sinner's.

 

John Selden

 

You see this book is finished and it is a bad book and I must get rid of it. It can't be printed. It is bad because it isn't honest. Oh! the incidents all happened but —  I'm not telling as much of the truth about them as I know. In satire you have to restrict the picture and I just can't do satire. I've written three books now that were dishonest because they were less than the best that I could do. One you never saw because I burned it the day I finished it. … My whole work drive has been aimed at making people understand each other and then I deliberately write this book, the aim of which is to cause hatred through partial understanding. My father would have called it a smart-alec book. It was full of tricks to make people ridiculous. If I can't do better I have slipped badly. And that I won't admit — yet.

 

John Steinbeck

 

At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape.

 

Alberto Manguel

 

I don't know if Native Son is a good book or a bad book. And I don't know if the book I'm working on now will be a good book or a bad book. And I really don't care. The mere writing of it will be more fun and a deeper satisfaction than any praise or blame from anybody. I feel that I'm lucky to be alive to write novels today, when the whole world is caught in the pangs of war and change.

 

Richard Wright