A little while ago, not much more than a few days ago, I was a child who went about in a world of colors, of hard and tangible forms. Everything was mysterious and something was hidden, guessing what it was was a game for me. If you knew how terrible it is to know suddenly, as if a bolt of lightning elucidated the earth. Now I live in a painful planet, transparent as ice; but it is as if I had learned everything at once in seconds.
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Letter to Alejandro Gómez Arias, (29 September 1926)Frida Kahlo
I thought Bolt was amazing, I mean, beating the world record and slowing down at the end, how galling has that got the for the other athletes? I never managed to do anything in 9.69 seconds, it took me ten seconds to watch him do that.
Usain Bolt
We live through myriads of seconds, but there is only one second among all these myriads which brings our whole inner world to the boil; the second in which, as Stendhal described, there suddenly takes place a crystallization in the supersaturated blood; a magical second like that of procreation, and, like it, hidden in the warm interior of one's own body, invisible, intangible, impalpable, a unique experience of mystery. No algebra of the soul can calculate it; no alchemy can divine it. Usually, even for ourselves, it remains unsearchable.
Stefan Zweig
The idea that a game is anything more than a game… You know, there are people who are basically unbalanced who are going to misuse a game and have bad results. If a golfer who insists on playing during a lightning storm gets hit by a stroke of lightning and is killed nobody says, 'There's golfers dying by the droves being hit by lightning!' You can overdo what you really like, and if you're unbalanced you go overboard.
Gary Gygax
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
Le Corbusier
If I were the type of artist that didn't care whether or not my works communicated with viewers then I wouldn't bother exhibiting them, I might as well stock them in a warehouse. But I do exhibit and I do care because I want to communicate back to the viewer what I've viewed. My paintings are inspired by my homeland's traditional spaces. My colors are the colors of monasteries and mosques, the color of ruins of Sassanid and Seljuq era, colors of Bazaars of Isfahan and Shiraz, and colors of northern-Iran's ceramics. I have sensed all these colors, forms and everything within my painting's frame from the viewer's own world.
Guity Novin
Kahlo, Frida
Kahn, Madeline
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