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Freddie Mercury

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I like people to go away from a Queen show feeling fully entertained, having had a good time. I think Queen songs are pure escapism, like going to see a good film - after that, they can go away and say that was great, and go back to their problems. I don't want to change the world with our music. There are no hidden messages in our songs, except for some of Brian's.
--
"The Man Who Would Be Queen" in Melody Maker (2 May 1981)

 
Freddie Mercury

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I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that. Songs that run you down or poke fun at you on account of your bad luck or hard traveling. ... I am out to fight those songs to my very last breath of air and my last drop of blood.
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work.
And the songs that I sing are made up for the most part by all sorts of folks just about like you. I could hire out to the other side, the big money side, and get several dollars every week just to quit singing my own kind of songs and to sing the kind that knock you down still farther and the ones that poke fun at you even more and the ones that make you think you've not any sense at all. But I decided a long time ago that I'd starve to death before I'd sing any such songs as that. The radio waves and your movies and your jukeboxes and your songbooks are already loaded down and running over with such no good songs as that anyhow.

 
Woody Guthrie
 

[On the lyrics of his songs] They meant a lot to my generation. And it's nice to know you've written songs that mean something to someone rather than some trivial pop dirge. I'm not thriving off a career slagging off the Queen. I think I have something valid to say. My words are my bullets. I like to brag that somehow I got it right.

 
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Back around 1971, I was playing in a bar in Chicago one night, and after the show, I was packing up my guitar and stuff, and I was walking out the door, and a little guy stopped me. And he said, "Arlo, before you leave, I wanna sing you a song." I said "Come on man, I don't wanna hear no songs. I hate songs. I don't even like my songs! Why should I like your songs?" I was just tired, I wanted to get out of there, I was being a butt-head. He said, "Arlo, I just wanna sing you one song." I said, "Tell you what. Buy me beer. I'll sit here and drink it. As long as it lasts, you can do whatever you want." He said, "That sounds like a good deal. I said "It does?" It turned out to be one of the finer beers of my entire life.

 
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I'm not terribly interested in playing harp on other people's music right now. Partly because I feel like many people view the harp as this kind of gimmick. You know, like they have songs that are fully realized, complete songs, and then they think "How do we make this special? - Ooh, let's bring the harp in!" and they kind of want a harpist to play a glissando and play some heavenly noise in the background. I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.
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A good song can only do good, and I am proud of the songs I have sung. I hope to be able to continue singing these songs for all who want to listen, Republicans, Democrats, and independents.

 
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