[Pessoa was] Portugal's greatest writer of the twentieth century [though] some critics would even leave off that last qualifying phrase. [He was] one of the most appealing European modernists, equal in command and range to his contemporaries Rilke and Mandelstam.
--
The Washington Post Book World, as quoted in The Selected Prose of Fernando Pessoa (2002), edited by Richard Zenith, p. 344Fernando Pessoa
» Fernando Pessoa - all quotes »
Fernando Pessoa is the least known of the masters of twentieth-century poetry. From his heteronymic passion he produced, if that is the word, two of our greatest poets. Alberto Caeiro and Álvaro de Campos, and a third, Ricardo Reis, who isn't bad. Pessoa is the exemplary poet of the self as other, of the poem as testament to unreality, proclamation of nothingness, occasion for expectancy.
Fernando Pessoa
Fernando Pessoa is the greatest Portuguese poet since Vax de Camoes, of the Renaissance. He established modernism in Portugal and deeply influenced the language. It is said that even Lisbon chambermaids speak differently from their grandparents because of him.
Fernando Pessoa
Wilson's principles survived the eclipse of the Versailles system and that they still guide European politics today: self-determination, democratic government, collective security, international law, and a league of nations. Wilson may not have gotten everything he wanted at Versailles, and his treaty was never ratified by the Senate, but his vision and his diplomacy, for better or worse, set the tone for the twentieth century. France, Germany, Italy, and Britain may have sneered at Wilson, but every one of these powers today conducts its European policy along Wilsonian lines. What was once dismissed as visionary is now accepted as fundamental. This was no mean achievement, and no European statesman of the twentieth century has had as lasting, as benign, or as widespread an influence.
(Thomas) Woodrow Wilson
In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
Don DeLillo
But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence — of someone resenting the treatment of her sex and pleading for its rights.
Virginia Woolf
Pessoa, Fernando
Pestalozzi, Johann Heinrich
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z