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Knowing not to have illusions is absolutely necessary in order to have dreams.
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Original: Saber n?o ter ilus?es é absolutamente necessário para se poder ter sonhos.
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Ibid., p. 276

 

Fernando Pessoa

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Antonio dreams of owning the land he works on, he dreams that his sweat is paid for with justice and truth, he dreams that there is a school to cure ignorance and medicine to scare away death, he dreams of having electricity in his home and that his table is full, he dreams that his country is free and that this is the result of its people governing themselves, and he dreams that he is at peace with himself and with the world. He dreams that he must fight to obtain this dream, he dreams that there must be death in order to gain life. Antonio dreams and then he awakens…. Now he knows what to do and he sees his wife crouching by the fire, hears his son crying. He looks at the sun rising in the East, and, smiling, grabs his machete. The wind picks up, he rises and walks to meet others. Something has told him that his dream is that of many and he goes to find them.

 

Subcomandante Marcos

 

The possibility of the impossible, dreams and illusions, are the subject of my novels.

 

Jose Saramago

 

I can live with doubt, and uncertainty, and not knowing. I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers, and possible beliefs, and different degrees of certainty about different things, but I’m not absolutely sure of anything, and in many things I don’t know anything about, such as whether it means anything to ask why we’re here, and what the question might mean. I might think about a little, but if I can’t figure it out, then I go to something else. But I don’t have to know an answer. I don’t feel frightened by not knowing things, by being lost in a mysterious universe without having any purpose, which is the way it really is, as far as I can tell, possibly. It doesn’t frighten me.

 

Richard Feynman

 

You can know the name of a bird in all the languages of the world, but when you're finished, you'll know absolutely nothing whatever about the bird... So let's look at the bird and see what it's doing — that's what counts. I learned very early the difference between knowing the name of something and knowing something.

 

Richard Feynman

 

The critic must be reconciled to his necessary, ambiguous role, and however much he may caper, joke, and posture for us in his writings, we are unlikely to forget that he is a man who may, at any moment, tread heavily upon our dreams — unworthy dreams, foolish dreams, stupid dreams, sometimes — but still dreams.

 

Robertson Davies