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Ambiguity lurks in generality and may thus become an instrument of severity.
--
McComb v. Jacksonville Paper Co., 336 U.S. 187, 197 (1949).

 

Felix Frankfurter

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For a viewer to think the custodian was trying to break free is the exact opposite of what the scene was supposed to convey. There is nothing gained from that kind of ambiguity. Ambiguity is not desirable or meaningful if it confuses an issue that is meant to be clear. This is the challenge of making a film that communicates but doesn't talk down: a lot of viewers and studio execs (and directors) hold that ANY ambiguity is the result of the filmmaker's failure. I disagree, but I also hold that, in order for ambiguity to be effective, certain things NEED to be unambiguous. For example, if it wasn't clear that Judy on the stage is the same character as Judy who'd invited Aeon to the Hostess' lair, then that's just bad execution. If the episode had been finished and seen in a version say, where we don't see her face drawn correctly, and viewers weren't sure it was the same character, they may wonder about things irrelevant to the story's themes, such as "do the custodians alter the appearance of their hosts", or "Trevor is masquerading a different person who is playing the role of Judy on the stage", etc, all of which does not help the story. Thinking that the custodian had a will of its own and wanted to break free is the same type of undesired speculation.

 

Peter Chung

 

"I like to think of myself as the ultimate anti-postmodernist post-modernist. Notwithstanding the unusual narrative or visual devices that appear in many of the films, what have kept me going for the three years of investigating [for The Thin Blue Line, was the belief that there answers to questions such as, Adams did it, didn't he? Or Harris did it, didn't he? That it's not just up for grabs. Today, I believe there's a kind of frisson of ambiguity. People think that ambiguity is somehow wonderful in its own right, an excuse for failing to investigate. What can I say? I think this view is wrong. At best, misguided. Maybe even reprehensible."

 

Errol Morris

 

Whenever I get dumped, I nail the door shut so that no one can come inside, get a towel and clip it around my neck so it's like a Superman cape, take off my shoes so I can slide across the room, and...get a fake mic, like a celery stick or a pen, and I play any record that features the vocalist Ronnie James Dio. And you can just pretend you're Dio, because on every album he does, he has minimum one, usually three, *EVIL WOMAN LOOK OUT!*- songs. And if you wanna point like Dio, it's a three-finger point. (heavy metal voice) 'The exit is that way. Evil LURKS! Evil lurks in twilight! Dances in the DARK! Evil woman! Just WALK AWAY!'

 

Henry Rollins

 

Mahatma Gandhi is the greatest living exponent of successful pacifism. He has demonstrated that pacifism in action can be a force in world politics. It proved itself, that is to say, a stronger instrument than the instrument of government by force and oppression. In South Africa, his success was complete; in India it was very considerable; and had his following been larger and more uniformly non-violent, his pacific instrument would have triumphed.

 

Mohandas Karamchand (Mahatma) Gandhi

 

As Christ's ministry drew to its close, its severity and its gentleness both increased; its severity to the class from whom it never turned away. Side by side through all His manifestations of Himself, there were the two aspects: "He showed Himself froward " (if I may quote the word) to the self-righteous and the Pharisee; and He bent with more than a woman's tenderness of 'yearning love over the darkness and sinfulness, which in its great darkness dimly knew itself blind, and in its sinfulness stretched out a lame hand of faith, and groped after a Divine deliverer.

 

Alexander Maclaren