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Evelyn Waugh

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It is a curious thing... that every creed promises a paradise which will be absolutely uninhabitable for anyone of civilized taste.
--
Ch. 1: Autumn, § 7

 
Evelyn Waugh

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The only problem with Microsoft is they just have no taste. They have absolutely no taste. And I don't mean that in a small way, I mean that in a big way, in the sense that they don't think of original ideas, and they don't bring much culture into their products.

 
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To me, bad taste is what entertainment is all about. If someone vomits while watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste.

 
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The universalists, the idealists, the Utopians all aim too high. They give promises of an unattainable paradise, and by doing so they deceive mankind. Whatever label they wear, whether they call themselves Christians, Communists, humanitarians, whether they are merely sincere but stupid or wire-pullers and cynics, they are all makers of slaves. I myself have always kept my eye fixed on a paradise which, in the nature of things, lies well within our reach. I mean an improvement in the lot of the German people. (21st February 1945)

 
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The taste of self-inflicted suffering, of an evening trashed in spite, brought curious satisfactions. Other people stopped being real enough to carry blame for how you felt. Only you and your refusal remained. And like self-pity, or like the blood that filled your mouth when a tooth was pulled - the salty ferric juices that you swallowed and allowed yourself to savor - refusal had a flavor for which a taste could be acquired.

 
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A situation has occurred wherein a premium is put on any work qualifying for the term "progressive"... The idea of progress in the arts; the notion that we move forward from one good thing to another in a simple progression and in a single direction... Baudelaire dealt so profoundly with this... But this can be said: if there were such a thing as a direct and simple progression from the work of one generation to the next the historical difficulty of the Progressive Artist could not exist... the popular notion of the Progressive and the New Art may not after all be the last word on a complex subject. That there may be, even to-day... such a thing as the absolutely modern. That as before it may be something unexpected, and not completely accounted for in the arrangements for encouraging the arts... For to be contemporary is not necessarily to be part of any movement, to be included in the official representations of national and international art. History shows that it may well be the opposite. It may be that it is the odd, the personal, the curious, the simply honest, that at this moment, when everyone looks to the extreme and flamboyant, constitutes the most interesting manifestation of the spirit of art... It may be necessary to be absolutely modern.

 
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