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Eudora Welty

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All serious daring starts from within.

 
Eudora Welty

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I am a writer who came from a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within.

 
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It's lovely to get to say hello to people you've always admired from afar, but the fun really starts out front with people going commando whilst wearing daring mud suits.

 
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Kids get lost, lambs out wandering. Bigger, blacker things go following them into a patch of forest somebody once planted for this song. (It's not over. Phones are still ringing. Eyes are still rolling, eyes are still clinging. Something in the air starts singing...Radios switched on and buzzing. Something in the wind starts humming. Something in the field starts hunting...) Kids grow up and kids go numb. And, kids, it's coming. Kids, it's going to come.

 
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The sexuality of creativity – on that level, human interaction becomes less of an oppressive pyramid and more of a dance, an orgy, something that you can imagine being a bit of fun. It seems to work naturally, except when order is imposed upon it, from above, and then everything starts getting a bit screwed up. The information, the energy, starts to get messed up.

 
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Steve Sholes, who produced the session, said, “Roll the tape.” And I said, “But I haven't heard the song yet!” And he said, “Roll the tape, Bill!” and I look and the studio is totally black out there. I can't see a thing. I said, “You're kidding!” He said, “No, roll the tape!”. So, I roll the tape and I don't know what's going to happen. And a guitar starts off, and then a bass comes in, and Elvis starts singing. And I still can't see a thing in the studio. And I'm afraid to turn any mikes off because somebody may come in and start playing. All of a sudden, Elvis stops singing and just starts talking. And I say to myself, “This is awful!” because you don't normally put a lot of echo on dialogue. And I thought, next take I'll just turn it down, so we just did the take all the way through. If you listen to the dialogue, the echo matches the effect, because he says, “And the stage is bare, and I'm standing there…”. Later, I said, “How about that echo?”. Sholes said, “Screw the echo, that's a hit!”. And it was done in one take...

 
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