The Devil is right at home. The Devil, the Devil himself, is right in the house.
And the Devil came here yesterday. Yesterday the Devil came here. Right here. [crosses himself] And it smells of sulphur still today.
Yesterday, ladies and gentlemen, from this rostrum, the president of the United States, the gentleman to whom I refer as the Devil, came here, talking as if he owned the world. Truly. As the owner of the world.Hugo Chavez
Ozzfest needs a good exorcism. No actually there is not devil there. The devil isn't there, the devil has got better things to do, you know.
Osborne,Buzz
I’d say I was a tomboy... I took wood chop in high school and I was very into volleyball and football, and [was] very unaware of anything girly for a long time.
Marisa Miller
"The Devil is not the Prince of Matter; the Devil is the arrogance of the spirit, faith without smile, truth that is never seized by doubt. The Devil is grim because he knows where he is going, and, in moving, he always returns whence he came."
Umberto Eco
For a viewer to think the custodian was trying to break free is the exact opposite of what the scene was supposed to convey. There is nothing gained from that kind of ambiguity. Ambiguity is not desirable or meaningful if it confuses an issue that is meant to be clear. This is the challenge of making a film that communicates but doesn't talk down: a lot of viewers and studio execs (and directors) hold that ANY ambiguity is the result of the filmmaker's failure. I disagree, but I also hold that, in order for ambiguity to be effective, certain things NEED to be unambiguous. For example, if it wasn't clear that Judy on the stage is the same character as Judy who'd invited Aeon to the Hostess' lair, then that's just bad execution. If the episode had been finished and seen in a version say, where we don't see her face drawn correctly, and viewers weren't sure it was the same character, they may wonder about things irrelevant to the story's themes, such as "do the custodians alter the appearance of their hosts", or "Trevor is masquerading a different person who is playing the role of Judy on the stage", etc, all of which does not help the story. Thinking that the custodian had a will of its own and wanted to break free is the same type of undesired speculation.
Peter Chung
Philips, Emo
Philips, John
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