Her position before was sheltered from the light: now, I had a distinct view of her whole figure and countenance. She was slender, and apparently scarcely past girlhood: an admirable form, and the most exquisite little face that I have ever had the pleasure of beholding: small features, very fair; flaxen ringlets, or rather golden, hanging loose on her delicate neck; and eyes — had they been agreeable in expression, they would have been irresistible.
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Mr. Lockwood on Catherine Linton (Ch. II).Emily Bronte
In the latter part of that year’s summer I first saw him. It was on the Hampstead road that we were introduced to each other…. …in that interview of a minute I inwardly desired his acquaintanceship, if not his friendship… He was small in stature, well proportioned, compact in form, and, though thin, rather muscular; — one of the many who prove that manliness is distinct from height and bulk. There is no magic equal to that of an ingenuous countenance, and I never beheld any human being’s so ingenuous as his. His full fine eyes were lustrously intellectual, and beaming (at that time!) with hope and joy. It has been remarked that the most faulty feature was his mouth; and, at intervals, it was so. But, whenever he spoke, or was, in any way, excited, the expression of the lips was so varied and delicate, that they might be called handsome.
John Keats
Tall, slender, with beautiful flaxen hair, grey eyes, full red lips, finely framed features, graceful of carriage and movement, fresh and always young, Ellen Terry was as much an art object as an actress.
Ellen Terry
A distinct throat. Which breathes. A head: small, smaller than a flower. With eyes and with lips. Lips more slender than light; a smile how carefully and slowly made, a smile made entirely of dream. Eyes deeper than Spring. Eyes darker than Spring, more new . . . These, these are the further miracles . . . the breasts. Thighs. The All which is beyond comprehension — the All which is perpetually discovered, yet undiscovered: sexual, sweet, Alive!
E. E. Cummings
It is rather difficult to describe Heidegger’s face because he could never look straight into one’s eyes for long. His natural expression revealed a reflective brow, an inscrutable countenance, and downcast eyes, which now and again would cast a quick glance to assess the situation. Forced, in conversation, to look one straight in the face, he would appear reserved and insecure, for he lacked the gift of candid communication with other people. Hence his natural expression was one of cautious, peasant-sly mistrust
Martin Heidegger
The clean delicate lines of her figure, the exquisite pure colouring of hair and skin, the charming young arrogance of the eyes — this was beauty, he reflected, a miracle, a revelation. Her virginal fineness and her dress, which was the tint of pale fire, gave her the air of a creature of ice and flame.
John Buchan
Bronte, Emily
Bronte, Charlotte
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