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I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. ... For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" ... I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.

 

Elizabeth Hand

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We maintained our relationship for so long because it was never not real. People expect anything in entertainment or Hollywood to be transient, and it's not as interesting a story for us to have been lifelong friends. People want sordid details or they want big blowups, and the truth of the matter is, from the time we met when I was 13, we understood each other and became very good friends, and that was it, we didn't need to make it into anything else. ... I was just out of college, and wanting to fall in love and have a fairy tale, I was holding on to that. He just felt so bad that there were so many little children in Romania in these orphanages, and he wanted to try to give them homes, and I really wanted to be able to do that with him, but it would have divided my life too much.
I hope when you write this, it doesn't sound freakish. What it was was a young man who kept reaching to try to find happiness. I think he wanted to take his resources and make a difference to other people in their lives, and he knew that I wanted to do that in the world, too, so he would reach out to someone like me and say, "How can we make a difference, it's easier to adopt a child if you're two people." He never said, formally, "Will you marry me," it was never that for me, he never was that definitive, but I think he was a guy who kept searching for happiness.
The problem is when you try to bring that out and in this society, it turns into a tabloid sentence, which is, "He wanted Brooke Shields to live with him and adopt babies," and it sounds ridiculous. And it never was that clear-cut. He found people he loved in his life and he didn't want to let go of them and he wanted them all to live together because he didn't want to go out into the outside world, which was so cruel and too much to handle, and it makes sense.

 

Michael Jackson

 

Well, the world is a haunted house, and Helnwein at times is our tour guide through it. In his work he is willing to take on the sadness, the irony, the ugliness and the beauty. But not all of Gottfried's work is on a canvas. A lot of it is the way he's approached life. And it doesn't take someone knowing him to know that. You take one look at the paintings and you say "this guy has been around." You can't sit in a closet — and create this. This level of work is earned. As an artist my strongest reaction to Helnwein's work is that it challenges me to be better at what I do. There are very few people that achieve utter excellence in what they do. And I think that Gottfried Helnwein is certainly one of those people.

 

Gottfried Helnwein

 

What nobody tells people who are beginners — and I really wish someone had told this to me . . . is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.

 

Ira Glass

 

“If people really stopped and realized how much art and creative people move the world versus politics and religion, I mean it’s not even up for debate. An artist at least creates things, puts things into the world. Where as these other people are destroying things, taking things out of the world.”

 

Marilyn Manson

 

It's always strange. I've had a lot of people work for me, and I've found out it's a funny thing that you give them Saturday and Sunday off, and they work so hard to get to those two days and those are the two days that they totally destroy themselves. I mean, you know you think to yourself, you say, "My goodness, I've really pounded these people and worked to them to death." And Friday comes and they say, "Yeah!" And then they come in Monday... [he makes an expression that looks like he's exhausted and upset] and say, "Boy, am I glad to be back here. I'm no good on my own. I was given two whole days and I just went crazy."

 

Bill Cosby