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Men insist that they don't mind women succeeding so long as they retain their "femininity". Yet the qualities that men consider "feminine" timidity, submissiveness, obedience, silliness, and self-debasement — are the very qualities best guaranteed to assure the defeat of even the most gifted aspirant.
--
The First Sex, ch. 22 - Woman in the Aquarian Age (1971).

 

Elizabeth Gould Davis

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The misnamed "feminine" woman, so admired by her creator, man — the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more — is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.

 

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Dino Zoff: "Totti was without doubt Baggio’s heir. Even then I knew that he had the qualities to be so and his career and his numbers confirm it." "Totti has enormous technical and tactical qualities."

 

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In the criminal code we find no feminine pronouns, as "He," "His," "Him," we are arrested, tried and hung, but singularly enough, we are denied the highest privileges of citizens, because the pronouns "She," "Hers" and "Her," are not found in the constitutions. It is a pertinent question, if women can pay the penalties of their crimes as "He," why may they not enjoy the privileges of citizens as "He"?

 

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Everything depends on the mind. Nothing can be achieved without purity of mind. It is said, "The aspirant may have received the grace of the guru, the Lord and the Vaishnavas; but he comes to grief without the grace of 'one' ". That 'one' is the mind. The mind of the aspirant should be gracious to him.

 

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I think there are some objective [musical] qualities... how complex something is, how melodic, how diverse the tonality is, et cetera. But I could also make a piece of music that contains all of those and yet isn't "good" from a subjective viewpoint. For example, take Beethoven's "Moonlight Sonata", Beatles "Yesterday", and Underworld's "Born Slippy", and play them all on top of each other at the same time. Great music in their own right, but terrible sounding together.

 

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