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Language the most forcible proceeds from the man who is most sincere. The way to speak with power, or to write words that pierce mankind to the quick, is to speak and write honestly.
--
P. 476.

 

Elias Lyman Magoo

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There can be no real peace when living with someone who has already declared war, no peace but capitulation. And even that, as we see around us, doesn't lead to further peace but to further degradation and exploitation. We're responsible for not only what we do but for what is in our power to stop. Before we can speak of peace, we have to speak honestly of stopping, by any and all means possible, those who have declared war on the world and on us. Those who destroy wont stop because we ask nicely. There is only one language that they understand, and everyone here knows what it is. Yet we don't speak of it openly.

 

Derrick Jensen

 

It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style, is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes... It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it, out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive.

 

William Hazlitt

 

I speak as briefly as possible because too much harm has already been done with irresponsible words of bitterness and selfish political opportunism. I speak as simply as possible because the issue is too great to be obscured by eloquence. I speak simply and briefly in the hope that my words will be taken to heart.
I speak as a Republican. I speak as a woman. I speak as a United States Senator. I speak as an American.

 

Margaret Chase Smith

 

Accept these images for what they are —
Out of the past a fragile element
Of substance into accident.
I would speak honestly and of a full heart;
I would speak surely for the tale is short,
And the soul's remorseless catalogue
Assumes its quick and piteous sum.

 

Robert Penn Warren

 

The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.

 

Orhan Pamuk