If you're a young male, you live in a sexual tyranny anyway. You could be in a car crash, lying in a ditch, thinking: "What is the erotic twist of this situation?"
--
on menDylan Moran
She's unafraid, too, of tackling more problematic areas of sexuality, as for instance when she dealt with cradle-snatching in "The Infant Kiss" and incest in "The Kick Inside". But not all that seems erotic in her music is about sex, as an EMI employee discovered when he found her working on the hypnotic "out-in-out-in" chant section of "Breathing" (from 1980's Never For Ever), and expressed outrage at EMI's young pop princess making such an overtly sexual record. The song is, of course, about breathing. Duhhh!
Kate Bush
"Then there are guys who say 'I have never fantasized about being with a man.' They are lying. And the least offensive men I've been with in terms of their sexual politics and how they view me as a woman, have been men who have either slept with men, or at least kissed or held a man once. It opens up your thinking. You don't think that women are less-than you are."
Madonna Ciccone
"Then there are guys who say 'I have never fantasized about being with a man.' They are lying. And the least offensive men I've been with in terms of their sexual politics and how they view me as a woman, have been men who have either slept with men, or at least kissed or held a man once. It opens up your thinking. You don't think that women are less-than you are."
Madonna
Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds... The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.
Roger Ebert
Pornography reveals that male pleasure is inextricably tied to victimizing, hurting, exploiting; that sexual fun and sexual passion in the privacy of the male imagination are inseparable from the brutality of male history. The private world of sexual dominance that men demand as their right and their freedom is the mirror image of the public world of sadism and atrocity that men consistently and self-righteously deplore. It is in the male experience of pleasure that one finds the meaning of male history.
Andrea Dworkin
Moran, Dylan
Moravia, Alberto
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z