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Comics day came and went. Another shoes day came and went. And another comics day followed that — the typical production and consumption cycles that help us survice our dismal, meaningless little lives.

 

Douglas Coupland

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(On DC: One Million) I just read it again and liked it a lot. Comics were definitely happier, breezier and more confident in their own strengths before Hollywood and the Internet turned the business of writing superhero stories into the production of low budget storyboards or, worse, into conformist, fruitless attempts to impress or entertain a small group of people who appear to hate comics and their creators.

 

Grant Morrison

 

I've made more money in novels than I did in my entire career in comics. The few years I did novels, they paid off so well, I don't have to be a slave to doing comics. But I'd rather do comics than novels. If I wanted to do it just for the money, I'd run off and do another novel. I just don't have the juice for it. I'm really not interested in it. It's a love for what this medium is.

 

Jim Starlin

 

I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics. Stan could write on three typewriters at once! I wrote the Human Torch, Submariner. I worked my way down. I started off at the high level, in the slick magazines, but they didn't use my name, they used house names. Anyway, then I went downhill to the pulps, then downhill further to the comics. I went downhill class-wise, but I went uphill, money-wise! I was making more money in the comics. I wrote the original Mike Hammer as a comic, Mike Danger.

 

Mickey Spillane

 

As for comics, one has only to turn to the characteristic output of Marvel Comics, for the period from about 1961 to about 1975, to find not an expression of base and cynical impulses but of good, old-fashioned liberal humanism of a kind that may strike us today, God help us, as quaint, but which nevertheless appealed, in story after story, to ideals such as tolerance, technological optimism, and self-sacrifice for the benefit of others.

 

Michael Chabon

 

The main key to the economics of the postwar world is a simple truism — that the rate of accumulation is equal to the rate of production less the rate of consumption. This is the "Bathtub Theorem." Production may be likened to the flow of water from the faucet, consumption to the flow down the drain. The difference between these two flows is the rate at which the water in the bathtub - the total stockpile of all goods - is accumulating.
War drains the economic bathtub in a great waste of consumption. The first problem of reconstruction is to rebuild the stockpile. It can be rebuilt only by widening the gap between production and consumption, or, in the case of a single country, by importing more than is exported. It is difficult for a ravaged country to increase either its production or its net imports. Unless it can obtain outside help, therefore, it must suffer a drastic restriction of consumption. Frequently the only way consumption can be restricted is by inflation. Here, therefore, is the key to the most fundamental problems of reconstruction.

 

Kenneth Boulding