It was a couple of days before Kate Schechter became aware of any of these things, or indeed of anything at all in the outside world.
She passed the time quietly in a world of her own in which she was surrounded as far as the eye could see with old cabin trunks full of past memories in which she rummaged with great curiosity, and sometimes bewilderment. Or, at least, about a tenth of the cabin trunks were full of vivid, and often painful or uncomfortable memories of her past life; the other nine-tenths were full of penguins, which surprised her. Insofar as she recognised at all that she was dreaming, she realised that she must be exploring her own subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was very clear what the other nine-tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
--
Ch. 2, p. 25Douglas Adams
» Douglas Adams - all quotes »
"His death has deprived us of a great champion - one that I loved very much. My past is scarred with grief; parents, brother, son. My life is full of sad memories. I look back and see the faces of my loved ones, and among them I see him."
Gilles Villeneuve
Now, one sees all that by observing, by being aware, watching, one is aware of all this. Then out of that awareness you see there is no division between the observer and the observed. It is a trick of thought which demands security. Please don't madam, please. And by being aware it sees the observer is the observed, that violence is the observer, violence is not different from the observer. Now how is the observer to end himself and not be violent? Have you understood my question so far? I think so. Right? The observer is the observed, there is no division and therefore no conflict. And is the observer then, knowing all the intricacies of naming, linguistically caught in the image of violence, what happens to that violence? If the observer is violent, can the observer end, otherwise violence will go on? Can the observer end himself, because he is violent? Or what reality has theobserver? Right sir? Is he merely put together by words, by experience, by knowledge? So is he put together by the past? So is he the past? Right? Which means the mind is living in the past. Right? obviously. You are living in the past. Right? No? As long as there is an observer there must be living in the past, obviously. And all our life is based on the past, memories, knowledge, images, according to which you react, which is your conditioning, is the past. And living has become the living of the past in the present, modified in the future. That's all, as long as the observer is living. Now does the mind see this as a truth, as a reality, that all my life is living in the past? I may paint most abstract pictures, write the most modern poems, invent the most extraordinary machinery, but I am still living in the past.
Jiddu Krishnamurti
‘…today’s…newspapers…full of…diminishing exports, the unkillable widening grin of the pullulating East, the expanding machine of the almighty infallible State….He himself could only turn to the past, but he heard that it was already possible to change the past, bringing the past perpetually up to date, a perpetual jackal fawning on the present, a malleable witness with no qualms about perjury. He knew that the armies were on the march, the Tannoys blaring, the collective mind – tool of oligarchy – being fashioned under the anaesthetic of the catchphrase and the mass entertainment...’
Anthony Burgess
I've never tried to block out the memories of the past, even though some are painful. I don't understand people who hide from their past. Everything you live through helps to make you the person you are now.
Sophia Loren
Nine-tenths of tactics are certain, and taught in books: but the irrational tenth is like the kingfisher flashing across the pool, and that is the test of generals. It can only be ensured by instinct, sharpened by thought practising the stroke so often that at the crisis it is as natural as a reflex.
Thomas Edward (T. E.) Lawrence
Adams, Douglas
Adams, Franklin Pierce
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z