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Barthelme isn’t easy, and he frequently fails, but he’s written some of the best stories of the last twenty years.
--
Walter Clemons reviewing Sixty Stories, “Barthelme the Scrivener”, Newsweek, 12 Oct 1981, p. 100.

 

Donald Barthelme

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In The New York Times Book Review, John Romano recalled “the excitement caused among readers” at the appearance of Don’s first stories in the 1960s. “There just weren’t then, as there aren’t now, very many stories published that you wanted to call your friends up and read aloud from; and Barthelme gave us more than a few.”

 

Donald Barthelme

 

Economists can take a good deal of credit for the stabilization policies which have been followed in most Western countries since 1945 with considerable success. It is easy to generate a euphoric and self-congratulatory mood when one compares the twenty years after the first World War, 1919-39, with the twenty years after the second, 1945-65. The first twenty years were a total failure; the second twenty years, at least as far as economic policy is concerned, have been a modest success. We have not had any great depression; we have not had any serious financial collapse; and on the whole we have had much higher rates of development in most parts of the world than we had in the 1920’s and 1930’s, even though there are some conspicuous failures. Whether the unprecedented rates of economic growth of the last twenty years, for instance in Japan and Western Europe, can be attributed to economics, or whether they represent a combination of good luck in political decision making with the expanding impact of the natural and biological sciences on the economy, is something we might argue. I am inclined to attribute a good deal to good luck and non-economic forces, but not all of it, and even if economics only contributed 10 percent, this would amount to a very handsome rate of return indeed, considering the very small amount of resources we have really put into economics.

 

Kenneth Boulding

 

Donald Barthelme has accomplished the work that the New Journalists are not competent to do. In a single story he is able to include more of the taste of the times than there is in the collected works of Wolfe, Breslin, Talese & Co. The difference lies in Barthelme’s ability to compress, almost to transistorize the world, and then make his miniatures real again by virtue of his talent for language.

 

Donald Barthelme

 

I cannot force it. I have never been able to force it. Like I've said before, writing is a wild magic (at least it is for me). It comes when it's ready, and then, if I'm lucky, I have some small say in where it goes and what it does. This is one reason I can't comprehend why some writers talk so much about "craft." Crafts are something you learn how to do. I never learned to write. I write better now than I did ten years ago, and far better than I did twenty years ago, but I'm not exactly sure why. To me, it is an almost ineffable thing. I try to explain what it is I do, and how it is I do it ... on those extremely rare occasions when I try to explain ... and, for me, it's like grasping at air. I have no craft talk, no theory, no dos and don'ts, no discernible process. I sit here in my chair at my desk in front of the iMac, and when I'm lucky, it happens. It's not so much that I think the "writing as craft" people are wrong. They can't be wrong, not if they are crafting stories and know they are crafting stories. But I don't craft stories. So, for me, we have here these two different paradigms. I spark. They craft. Two incommensurable world views. I cannot explain to them what it is that I do. I cannot even explain it to myself. And I cannot comprehend what they do.

 

Caitlin R. Kiernan

 

The written law is binding, but the unwritten law is much more so. You may break the written law at a pinch and on the sly if you can, but the unwritten law — which often comprises the written — must not be broken. Not being written, it is not always easy to know what it is, but this has got to be done.

 

Samuel (novelist Butler