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As a magician works with the unique compressibility of doves, finding some, losing others in the same silk foulard, so the rebels fold scratchy, relaxed meanings into their smallest actions.
--
“The Crisis”

 

Donald Barthelme

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Losing one glove
is certainly painful,
but nothing
compared to the pain,
of losing one,
throwing away the other,
and finding
the first one again.

 

Piet Hein

 

The magician depends for the success of his art upon the credulity of the people. Whatever mystifies, excites curiosity; whatever in turn baffles this curiosity, works the marvelous.
Of course human ignorance is no longer a source of profit to the magician, as it was in the days of the diviner, the oracle, and the soothsayer. Few believe nowadays that the magician claims any supernatural aid. I will scarcely be believed, therefore, when I tell my readers that in a few cities in Italy and Spain in which I have performed hundreds came to see me as a curiosity, impressed with the belief that for the power he gave me I had made a compact with the devil for the delivery of my soul. In these cities I have seen people reverently cross themselves when I was passing…

 

Alexander Herrmann

 

Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.

 

Delmore Schwartz

 

You use the phrase “brutal Rebels.” Don’t be cheated in that way. There are enough “brutal Rebels” no doubt, but we have brutal officers and men too. I have had men brutally treated by our own officers on this raid [to Lynchburg, Va.]. And there are plenty of humane Rebels. I have seen a good deal of it on this trip. War is a cruel business and there is brutality in it on all sides, but it is very idle to get up anxiety on account of any supposed peculiar cruelty on the part of Rebels. Keepers of prisons in Cincinnati, as well as in Danville, are hard-hearted and cruel.

 

Rutherford B. Hayes

 

A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts. by regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his [sic] audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.

 

Norman Denzin