It is not true that Kafka wanted Brod to burn his manuscripts after his death. Rather it is the case that Kafka was on fire to be published...rushed to the postbox day after day...ate with editors...intrigued for favorable notices...read the Writer’s Digest...consorted with critics...autographed napkins...made himself available to librarians...spoke on the radio...
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praragraph deleted from “Kierkegaard Unfair to Schlegel”, in Tracy Daugherty’s Hiding Man: A Biography of Donald Barthelme (2009), p. 335Donald Barthelme
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There is at this moment a beetle the size of god's ass on the table about six inches from the t-writer. It is worse than anything Kafka ever dreamed, so big I can see its eyes and the hair on its legs — jesus, suddenly it leaped off and now circles me with a menacing whir.
Hunter S. Thompson
One of my mottoes as a writer is a little jotting from Kafka's journals: ‘Never again psychology!’ But alas, humankind is obsessed with its psychological workings, and since the novel can only treat of humankind . . . You see my predicament.
John Banville
The writer is an ordinary man, not a spokesman for the people, and that literature can only be the voice of one individual. Writing that becomes an ode to a country, the standard of a nation, the voice of a party... loses its nature—it is no longer literature. Writers do not set out to be published, but to know themselves. Although Kafka or Pessoa resorted to language, it was not in order to change the world. I, myself, believe in what I call cold literature: a literature of flight for one's life, a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.
Gao Xingjian
[W]e would probably claim Kafka as an Irish writer. His tone of voice is certainly quite Irish: that sense of melancholy, that sense of strangeness and of being a stranger in the world. I think that we empathise with that very much indeed.
John Banville
White: I long for Darkness. I pray for death, real death. And if I thought that in death I would meet the people I knew in life, I don't know what I would do. That would be the ultimate horror, the ultimate nightmare. If I thought I was gonna meet my mother again an' start all of that over, only this time without the prospect of death to look forward to... that would be the final nightmare. Goddamn Kafka on wheels.
Cormac McCarthy
Barthelme, Donald
Barthes, Roland
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