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Ann looked down at him, spread on the bank preparing to go to sleep, and lost her temper. "Then you should go and tell him! You should look after him! He's all alone in this wood, and he's quite small, and he doesn't even know he's not supposed to go out of it. He probably doesn't even know how to work the field to get food. You - you calmly make him up, out of blood and - and nothing, and you expect him to do your dirty work for you, and you don't even tell him the rules! You can't do that to a person!"
--
pp. 54-55.

 

Diana Wynne Jones

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Nobody should start to undertake a large project. You start with a small trivial project, and you should never expect it to get large. If you do, you'll just overdesign and generally think it is more important than it likely is at that stage. Or worse, you might be scared away by the sheer size of the work you envision. So start small, and think about the details. Don't think about some big picture and fancy design. If it doesn't solve some fairly immediate need, it's almost certainly over-designed. And don't expect people to jump in and help you. That's not how these things work. You need to get something half-way useful first, and then others will say "hey, that almost works for me", and they'll get involved in the project.

 

Linus Torvalds

 

This is from my granny. She was a beautiful, spiritual person. She always used to say: "Doesn't matter how big the f**ker is. They all have a neck." Another thing she used to say was: "Never get involved with more than 11 people sexually at one time. You cannot keep everybody happy. Work on the farm deteriorates almost immediately. Don’t do that."

 

Dylan Moran

 

I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. ... For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" ... I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.

 

Elizabeth Hand

 

I hear that the no-smoking crowd are now operating at the National. Surely that sort of mentality doesn't belong in a theatre, it isn't a place where you impose rules on people, it's a dirty radical place where an actor can work with a fag in his hand.

 

Michael Gambon