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It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision. In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
--
Pelican Books, 1964, p. 18-19

 

Dennis Gabor

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For Bernal the humanistic and the scientific dimensions were one. His vision of the sort of future that science could make possible for mankind was in total contrast to that of Aldous Huxley's Brave New World. Full automation, nuclear energy, and cybernetics could bring a fuller realisation of human potential. His futuristic sketches grew increasingly better grounded as his Marxism matured, making the society of the future set out in The Social Function of Science far more plausible than the one set out in his earlier work, The World, the Flesh and the Devil. His sense of history was sweeping, stretching back into the ancient past and shooting forward into the coming future.

 

John Desmond Bernal

 

Mannheim notes that utopia not only shares with ideology a noncongruence with reality, but that utopia offers a perspective critical of the given reality, thus exposing the gap between what is and an ideal of what should be. Utopia, in challenging the existing order, is always a projection into possible futures; whereas, ideology, in legitimating the existing order, is directed toward perpetuating the past. Utopia tends to be the tool of social groups seeking ascendancy; while ideology tends to be the tool of dominant groups seeking to assuage their own sense of failing and justify the inadequacy of the status quo. Ideology and utopia are about power.

 

Karl Mannheim

 

The most prosperous countries have succeeded in accumulating powers of destruction such as to annihilate, a hundred times over, not only all the human beings that have existed to this day, but also the totality of all living beings that have ever drawn breath on this planet of misfortune.
On a day like today, my master William Faulkner said, "I decline to accept the end of man." I would fall unworthy of standing in this place that was his, if I were not fully aware that the colossal tragedy he refused to recognize thirty-two years ago is now, for the first time since the beginning of humanity, nothing more than a simple scientific possiblity. Faced with this awesome reality that must have seemed a mere utopia through all of human time, we, the inventors of tales, who will believe anything, feel entitled to believe that it is not yet too late to engage in the creation of the opposite utopia. A new and sweeping utopia of life, where no one will be able to decide for others how they die, where love will prove true and happiness be possible, and where the races condemned to one hundred years of solitude will have, at last and forever, a second opportunity on earth.

 

Gabriel Garcia Marquez

 

Intelligence amplification refers to the effective use of information technology in augmenting human intelligence. It will lead to a brave new world of dating – a positive change, mind you, unlike Aldous Huxley’s 1932 novel Brave New World.

 

Newton Lee

 

What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions". In 1984, Huxley added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.

 

Neil Postman