When conventions are old, there's quite a good reason, it's not arbitrary. So Picasso discovered that, as it were, and I'm sure that for him that was probably almost as exciting as discovering Cubism, rediscovering conventions of ordinary appearance, one-point perspective or something. The purists think you're going backwards, but I know you'd go forward. Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same. The Renaissance is not the same as ancient Greece; the Gothic revival is not the same as Gothic. It might look like that at first, but you can tell it's not. The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be.
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From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981) ISBN 0-500-20291-5 , p. 112David Hockney
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The apartments of the rich are cabinets of curiosities: a conglomeration of classical antiquity, gothic, renaissance; Louis XIII...Something from every century but our own, a predicament that has arisen in no other period... so that we seem to be subsisting on the ruins of the past, as if the end of the world were near.
Alfred de Musset
Profound skepticism is favorable to conventions, because it doubts that the criticism of conventions is any truer than they are.
George Santayana
The personal things should be left out of platforms at conventions.... You can argue yourself blue in the face, and you’re not going to change each other’s minds. It’s a waste of your time and my time.
Barbara Bush
It is impossible to understand Art and the glory of its history without avowing religious spirituality and the mythical roots that lead us to the very reason of being of the artistic phenomenon. Without the one or the other there would be no Egyptian pyramids, nor those of ancient Mexico. Would the Greek temples and Gothic cathedrals have existed?
Luis Barragan
The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this… …Scientific perspective forces the objects in a picture to disappear away form the beholder instead of bringing them within his reach as painting should.
Georges Braque
Hockney, David
Hodge, Archibald Alexander
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