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Czeslaw Milosz

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Only when two times, two forms are drawn
Together and their legibility
Disturbed, do you see that immortality
Is not very different from the present
And is for its sake. You pick a fragment
Of grenade which pierced the body of a song
On Daphnis and Chloe.
--
"A Book in the Ruins" (1941), trans. Renata Gorczynski and Robert Hass

 
Czeslaw Milosz

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— How is it, Chloe, that your pretty skirt
Is torn so badly by the winds that hurt
Real people, you who, in eternity, sing
The hours, sun in your hair appearing
And disappearing? How is that your breasts
Are pierced by shrapnel, and the oak groves burn,
While you, charmed, caring not at all, turn
To run through forests of machinery and concrete
And haunt us with the echoes of your feet?

 
Czeslaw Milosz
 

That man has reached immortality who is disturbed by nothing material.

 
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It was not until the ant and Veig had passed each other that Niall realized that he had been reading the ant's mind. It was a sensation like actually being the ant, as if he had momentarily taken possession of its body. And while he had been inside the ant's body, he had also become aware of all the other ants in the nest. It was a bewildering feeling, as if his mind had shattered into thousands of fragments, yet each fragment remained a coherent part of the whole.

 
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There is not a fragment in all nature, for every relative fragment of one thing is a full harmonious unit in itself.

 
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For the sake of my children and grandchildren, I hope that the human talent for self-destruction can be successfully controlled, or at least channelled into productive forms, but I doubt it. I think we are moving into extremely volatile and dangerous times, as modern electronic technologies give mankind almost unlimited powers to play with its own psychopathology as a game.

 
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