Miserable Orpheus who, turning to lose his Eurydice, beholds her for the first time as well as the last.
--
Part II: Te Palinure Petens (p. 70)Cyril Connolly
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Orpheus' mistake wasn't that he turned and looked back towards Eurydice and Hell, but that he ever thought he could escape. Same with Lot's wife. Averting our eyes does not change the fact that we are marked.
Caitlin R. Kiernan
It's the time of turning and there's something stirring outside.
It's the time of turning and the old world's falling.
Nothing you can do can stop the next emerging.
Time of the turning and we'd better learn to say our goodbyes.Peter Gabriel
Particularly in the case of all professional of press-images which testify of the real events. In making reality, even the most violent, emerge to the visible, it makes the real substance disappear. It is like the Myth of Eurydice : when Orpheus turns around to look at her, she vanishes and returns to hell. That is why, the more exponential the marketing of images is growing the more fantastically grows the indifference towards the real world. Finally, the real world becomes a useless function, a collection of phantom shapes and ghost events. We are not far from the silhouettes on the walls of the cave of Plato.
Jean Baudrillard
Not only was Thebes built by the music of an Orpheus; but without the music of some inspired Orpheus was no city ever built, no work that man glories in ever done.
Thomas Carlyle
[On test audiences and alternate endings on DVDs] Seeing these two endings, knowing that the studio most likely chose the one that would close the film after polling test audiences, makes me a little ill. What if I did that with my novels? What would you think of me, if I were to so subvert the act of storytelling and mythmaking in an effort to make more money (by, I might add, perverting democracy)? Okay, at the end of Low Red Moon, I can kill Chance, or I can let her live. Which ending do you prefer? Check the box, and let us know. Should Orpheus make it back to the surface without looking to see if Eurydice is truly following him, or should he look? Should the mouse pull the thorn from the lion's paw, or should he mind his own damned business? I can only hope that it is self-evident that this process is as alien and destructive to art as anything ever could be. Yes, I'm sure it makes people more money, and money is nice, but it has very little to do with telling good and true and useful stories.
Caitlin R. Kiernan
Connolly, Cyril
Connolly, James
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