"Understand that revolution isn't really by force, revolution is by thought!" - True Colors Tour (DAR Constitution Hall in Washington, DC on June 7, 2008).
Cyndi Lauper
Ruben Fleischer: "..The principle idea behind M.I.A.'s artwork is to have pretty heavy/political ideas, but to present them in a poppy candy-coated wrapper. So someone might buy her painting because it is pretty to the eye, and not necessarily consider that it is a rebellious image that she is presenting. However, after they've had it for a while, they might start to think - why do I have a pink tank on my wall? … I think that ["Galang"] is a very successful video in that we have true images of revolution playing on MTV. However, because there's lots of pretty colors and a pretty girl dancing, no one blinks an eye. Hopefully we have succeeded in subconsciously starting the revolution." May, 2005 [after directing music video for "Galang"]
M.I.A.
[on her picture in "Teen People", June/July issue] My character on the show ["Phil of the Future" (2004)_], Keely, wears a lot of really bright shades, like lime green and orange. They're fun colors, but I love natural colors, like this!
Alyson Michalka
All around us are the consequences of the most significant technological, and hence cultural, revolution in generations. This revolution has produced the most powerful and diverse spur to innovation of any in modern times. Yet a set of ideas about a central aspect of this prosperity — "property" — confuses us. This confusion is leading us to change the environment in ways that will change the prosperity. Believing we know what makes prosperity work, ignoring the nature of the actual prosperity all around, we change the rules within which the Internet revolution lives. These changes will end the revolution.
Lawrence Lessig
Did you not read our articles about the June revolution, and was not the essence of the June revolution the essence of our paper?
Why then your hypocritical phrases, your attempt to find an impossible pretext?
We have no compassion and we ask no compassion from you. When our turn comes, we shall not make excuses for the terror. But the royal terrorists, the terrorists by the grace of God and the law, are in practice brutal, disdainful, and mean, in theory cowardly, secretive, and deceitful, and in both respects disreputable.Karl Marx
But Rousseau — to what did he really want to return? Rousseau, this first modern man, idealist and rabble in one person — one who needed moral "dignity" to be able to stand his own sight, sick with unbridled vanity and unbridled self-contempt. This miscarriage, couched on the threshold of modern times, also wanted a "return to nature"; to ask this once more, to what did Rousseau want to return? I still hate Rousseau in the French Revolution: it is the world-historical expression of this duality of idealist and rabble. The bloody farce which became an aspect of the Revolution, its "immorality," is of little concern to me: what I hate is its Rousseauan morality — the so-called "truths" of the Revolution through which it still works and attracts everything shallow and mediocre. The doctrine of equality! There is no more poisonous poison anywhere: for it seems to be preached by justice itself, whereas it really is the termination of justice. "Equal to the equal, unequal to the unequal" — that would be the true slogan of justice; and also its corollary: "Never make equal what is unequal." That this doctrine of equality was surrounded by such gruesome and bloody events, that has given this "modern idea" par excellence a kind of glory and fiery aura so that the Revolution as a spectacle has seduced even the noblest spirits.
Jean-Jacques Rousseau
Lauper, Cyndi
Laurie, Hugh
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