“I am the victor. In the end nothing else matters.’

 

“I am the victor. In the end nothing else matters.’
--
Galbatorix

 

Christopher Paolini

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It was quite fashionable to poke fun at Hugo. You remember Gide’s “Victor Hugo is the greatest French poet, alas!” or Cocteau’s “Victor Hugo was a madman who thought he was Victor Hugo.” Anyway, I hated rhetoric and eloquence. I agreed with Verlaine, who said, “You have to get hold of eloquence and twist its neck off!” Nonetheless, it took some courage. Nowadays it is common to debunk great men, but it wasn’t then.

 

Eugene Ionesco

 

Victor: White people won't respect you if you don't look mean. You have to look like a warrior, like you just got back from killing a buffalo.
Thomas: But our tribe never hunted buffalo. We were fishermen.
Victor: What, you want to look like you just caught a fish? This isn't Dances with Salmon, you know!

 

Sherman Alexie

 

Victor has always cast his nets widely, and he could routinely amaze us with observations far afield from the Chinese text we were reading in class. Today people often attempt to simulate this cosmopolitanism under the rubric of interdisciplinary study, but for Victor, it was quite untrendy: he simply had an insatiable appetite for knowledge and pushing boundaries. Indeed, border-crossing has been our mentor's dominant mode of scholarship, a mode that has constantly interrogated where those very borders are both geographically and categorically. Though never sporting fashionable jargon, Victor has always taken on phenomena and issues that engage aspects of multiculturalism, hybridity, alterity, and the subaltern, while remarkably grounding his work in painstaking philological analysis. Victor demonstrates the success of philology, often dismissed as a nineteenth-century holdover, for investigating twenty-first-century concerns.

 

Victor H. Mair

 

Thomas: Hey Victor! I'm sorry 'bout your dad.
Victor: How'd you hear about it?
Thomas: I heard it on the wind. I heard it from the birds. I felt it in the sunlight. And your mom was just in here cryin'.

 

Sherman Alexie

 

Victor Jara, assassinated by the Chilean dictatorship, Benjo Cruz fallen during his participation in the guerilla war of Teoponte, Jorge Salerno, executed during the Pando takeover, are living symbols of the impossibility our imperialist enemy has at silencing the collective voice of our Latin American people. “There are musicians who are only musicians” Haydée Santamaria once said, and she added that what was true about Victor, Jorge y Benjo was that “they were musicians that loved the people”. To these group of voices belongs Victor Jara, whom I personally knew, with whom I sang; we would dialogued and discussed each others’ songs, united in the objective of finding a new humanity.

 

Victor Jara