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Chiaki Kuriyama

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I've been playing these schoolgirl roles in all my movies. Every time I went to the set, it felt like I was going to school.
--
Complex Magazine (February/March 2004)

 
Chiaki Kuriyama

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It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.

 
Roger Ebert
 

The roles that we construct are constructed because we feel that they will help us to survive and also, of course, because they fulfill something in our personalities; and one does not, therefore, cease playing a role simply because one has begun to understand it. All roles are dangerous. The world tends to trap you in the role you play and it is always extremely hard to maintain a watchful, mocking distance between oneself as one appears to be and oneself as one actually is.

 
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When I started out, there weren't that many strong female roles, especially women who weren't just strong emotionally. I mean this is a also woman [her character on The Chicago Code, Teresa Colvin] who is strong physically, who isn't afraid of physicality. But now there are a lot more roles for women that are quite strong. I think the Academy Award nominations bespeak how many really great roles there are for women right now, and that's primarily because women are creating those roles for themselves.

 
Jennifer Beals
 

I've never gotten anything out of his movies. They have felt constructed, faux intellectual and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a f**king bore. He's made his films for the critics. One of the movies, Masculin, féminin, was shot here in Sweden. It was mindnumbingly boring.

 
Ingmar Bergman
 

Painting and sculpture are very archaic forms. It’s the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe. It’s a very archaic form. Same things can be said with words, writing poetry, making sounds, music. It is a unique thing.. ..I think that the original revolutionary impulse behind the New York School, as I felt it anyway, and as I think my colleagues felt and the way we talked all the time, was a kind of a.. ..you felt as if you were driven into a corner against the wall, with no place to stand, just the place you occupied as if the act of painting was not making a picture.. ..it was as if you had to prove to yourself that truly the act of creation was still possible.. ..I felt as if I was talking to myself, having a dialectical monologue with myself to see if I could create.

 
Phillip Guston
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