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...I haven't seen so many dirty snouts, and slimy arseholes crammed into such a small space since I last looked inside a sausage.
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S2E6

 

Charlie Brooker

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However obvious these facts may appear at first glance, they are actually not so obvious as they seem except when we take special pains to think about the subject. Symbols and things symbolized are independent of each other; nevertheless, we all have a way of feeling as if [...] there were necessary connections. For example, there is a vague sense we all have that foreign languages are inherently absurd; foreigners have such funny names for things, and why can't they call things by their right names? This feeling exhibits itself most strongly in those tourists who seem to believe that they can make the natives of any country understand English if they shout loud enough. Like the little boy who was reported to have said, "Pigs are called pigs because they are such dirty animals," they feel that the symbol is inherently connected in some way with the thing symbolized. Then there are the people who feel that since snakes are "nasty, slimy creatures" (incidentally, snakes are not slimy), the word "snake" is a nasty, slimy word.

 

S. I. Hayakawa

 

The European Union is very popular with politicians, because it's very good to politicians. It was created for their benefit. It's not so good to voters, because it denies them a voice - another reason it's popular with politicians. These days, we in Europe no longer make most of our own laws. We have them handed down to us by people we haven't elected and can't remove. The people we do elect are powerless to change anything, even if they wanted to, and most of them don't want to, because they've got their snouts in the trough of a corrupt organisation whose accounts haven't been signed off for the last sixteen years.

 

Pat Condell

 

The central problem of architecture is space. Space is essential for the individual and for the community. This is equally true for the small space (the capsule) as well as for the large space (the city).

 

Justus Dahinden

 

And he waves the pages of the papers, black and white the way space was when the galaxies were being formed, and crammed—as space was then—with isolated corpuscles, surrounded by emptiness, containing no destination or meaning. And I think how beautiful it was then, through that void, to draw lines and parabolas, pick out the precise point, the intersection between space and time where the event would spring forth, undeniable in the prominence of its glow; whereas now events come flowing down without interruption, like cement being poured, one column next to the other, one within the other, separated by black and incongruous headlines....

 

Italo Calvino