The atom can't be seen, yet its existence can be proved. And it is simple to prove that it can't ever be seen. It has to be studied by indirect evidence — and the technical difficulty has been compared to asking a man who has never seen a piano to describe a piano from the sound it would make falling downstairs in the dark.
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As quoted in Carl Anderson. Some notes about his life and work at Caltech. The first of a series of biographical sketches of Caltech faculty members. Engineering and Science, Vol. 15:1 (October 1951)Carl David Anderson
» Carl David Anderson - all quotes »
I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. Like, I've used the Fender- Rhodes piano on a couple of records. I don't really look on it as a piano— merely an alternate keyboard instrument, that offers a certain kind of sound that’s appropriate sometimes. I find that it’s kind of a refreshing auxiliary to the piano— but I don't need it, you know. I guess it’s for other people to judge how effective it’s been on my records; I enjoyed it, anyway. I don't enjoy spending a lot of time with the electric piano. I mean, if I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano.
Bill Evans
I wouldn’t play it in public — you need different muscles, you can’t use the upper arm, just the fingers. But the sound has a glow, because the strings aren’t damped, as on a piano. I wanted to visit Bach’s sound world, then apply those ideas to the piano.
Murray Perahia
21 piano sonatas, 27 piano concertos, 41 symphonies, 18 masses, 13 operas, 9 oratorios and cantata, 2 ballets, 40 plus concertos for various instruments, string quartets, trios and quintets, violin and piano duets piano quartets, and the songs. This astounding output includes hardly one work less than a masterpiece.
Wolfgang Amadeus Mozart
… it's time for the opening lecture in Test Design 101: Consider: a woman claims to be a musician. You seat her at a piano and demand that she prove her claim. She cannot play the piano, and you conclude that her claim has been invalidated. Hardly. You see, the lady is a cellist….
You cannot challenge a claimant to do something they've never claimed they can do. That's why, at the JREF, we design a protocol only after the applicant has clearly stated (a) what they can do, (b) under what conditions, and (c) with what expected degree of success. And, the applicant must find the protocol appropriate, fair, agreeable, and adequate to prove their claim.James Randi
I always looked at any instrument as just a tool, an expressive voice to write with. It even differs from guitar to guitar. Some guitars demand that you play them delicately and really respect the instrument, and some beg to be abused. Same with piano. I know with guitar, I'm intimate with it enough to know when I put my fingers here, it will sound like this. I prefer writing on piano because it's always a surprise.
Annie Clark
Anderson, Carl David
Anderson, Gillian
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