Yquotes.com

 

You might say that a creative person is a person who simply has a desire to have something, to add something to the world that’s not there yet, and goes about arranging fort that to happen... ...when you desire a work of art and make it, you’ve added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.
--
artists quotes Andre from ”Artists talks 1969 – 1977” ed. Peggy Gale, The Press N.S.C.A.D, Nova Scotia, Canada 2004, p. 15

 

Carl Andre

» Carl Andre - all quotes »

Similar quotes

 

The cool-person syndrome is peculiarly American. Part of that has to do with the way the educational business is run in the U.S. It’s not based on how much you can teach your child: it’s based on how much money the suppliers of basic materials can make off your child. Somewhere along the line most people pick up the desire to be a cool person, which is just another way to make them buy things. Once you’ve decided that you need to be a cool person, it makes you a possible victim of anyone whose products are the equivalent of bottled smoke. Somebody tells you to buy this particularly useless item and you’ll be a cool person. No matter how stupid it seems, you have to buy it. Pet Rocks. Pringle’s potato chips. whatever it is — the newest, the latest. Since the cool-person thing is something you learn in school, and since the school business is pretty suspicious and definitely tied up with the government, it makes you wonder whether or not the desire to be cool is part of a government plot to make you buy stupid things.

 

Frank Zappa

 

World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.

 

Rollo May

 

I didn't want to make huge political statements; in fact, I hate preachy shit and people saying, 'This is good; this is bad.' I talk about how I see things as an everyday person in England. I was saying things that were a bit controversial, and I wanted to say that there are some opinions that aren't black and white. Things are confusing and complex. If you really want to be a good person, you understand things from all points of view and you are empathetic towards every opinion and every voice. I was like, 'I'm going to make an album about how it's difficult to make sense of living today, and that is added to by the television and the media, the person at my bank and the person at my mobile phone company.' I want to make sense of all those people and what is going on, and that is what I tried to do lyrically, and not provide a manifesto.

 

M.I.A.

 

A thought is an upshot of the desire. When someone thinks about what he wants, he does not think of something undesirable. For example, a person never thinks about the day of his death. On the contrary, he will always contemplate his perpetuity, for this is his desire. Thus, one always thinks of what is desirable (...) It turns out that thought serves desire, and desire is the “self” of the person. Now, there is a great self, or a small self. A great self dominates the small selves. He who is a small self has no dominion whatsoever, and the advice is to magnify the self through the diligence of the thought on the desire, since it grows to the extent that one thinks of it.

 

Yehuda Ashlag

 

I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. ... For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" ... I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.

 

Elizabeth Hand