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Buck Owens

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I Shall Sing No Song That Is Not A Country Song.
I Shall Make No Record That Is Not A Country Record.
I Refuse To be Known As Anything But A Country Singer.
I Am Proud To be Associated With Country Music.
Country Music And Country Music Fans Made Me What I Am Today.
And I Shall Not Forget It.
--
"Pledge To Country Music" in Music City News (March 1965)

 
Buck Owens

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Obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music. I followed The Byrds a lot, and then when they did a country styled record it made me curious to know who these people were that they liked.

 
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I didn't say I wasn't gonna do rockabilly. I just said I ain't gonna sing no song that ain't a country song. I won't be known as anything but a country singer.

 
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There was no model for Elvis Presley's success; what Sun Records head Sam Phillips sensed was something in the wind, an inevitable outgrowth of all the country and blues he was recording at his Union Avenue studio; enter Presley in 1954, bringing with him a musical vocabulary rich in country, country blues, gospel, inspirational music, bluegrass, traditional country, and popular music -- as well as a host of emotional needs that found their most eloquent expression in song; his timing was impeccable, not only as a vocalist, but with regard to the cultural zeitgeist: emerging in the first blush of America's postwar ebullience, Presley captured the spirit of a country flexing its industrial muscle, of a generation unburdened by the concerns of war, younger, more mobile, more affluent, and better educated than any that had come before; (as such), the Sun recordings were the first salvos in an undeclared war on segregated radio stations nationwide.

 
Elvis Presley
 

But the core of the album, and perhaps the core of Elvis' music itself, are the soulful gospel-flavored ballads. Well, it's often seemed as if Elvis bore more than a passing resemblance to soul singer Salomon Burke. The way in which he uses his voice, his dramatic exploitation of vocal contrast, the alternate intensity and effortless nonchalance of his approach, all put one in mind of a singer who passed this way before, only going the other way. And here he uses these qualities to create a music which, while undeniable country, puts him in touch more directly with the soul singer than with traditional country music. It was his dramatic extravagance, in fact, which set him apart from the beginning, and it is to this perhaps, as much as anything else -- to the very theatrics which Elvis brought to hillbilly music --, that we can trace the emergence of rock & roll.

 
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They [Sisters of Charity in Frederick] excel in music, which is an indispensable thing in this country, even for the poor. No piano, no pupils! Such is the spirit of this country -- Music and Steam!

 
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