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I think the original, 'They're the next Jane's Addiction' things that people said about us in the beginning have been pretty much wiped out.
--
Stapleton, Jim. Smashing Pumpkins (Interview disk and fully illustrated book). Carlton Books Ltd. 1996.

 

Billy Corgan

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Jane took me to another level because she's truly a wonderful writer. I'd put things together in the past and struggled with them. And then I met Jane. ... I was doing my Edith Ann album in '71 — the album came out in '72. She'd done a thing on television called J.T. — it was about a kid in Harlem — and she won a Peabody for it. I later learned it was the first thing she'd ever written.
It was written as an After School Special, but they played it in prime time — and they played it every year after that for about 25 years, or something. Anyway, I saw it and it was wonderful. It was poetic and sensitive and satiric and tender and funny and so many things compressed into this one hour. And I thought, "Oh, God, this is exactly what I want in a monologue." So I wrote Jane and asked her to help me do the Edith Ann album. I didn't hear from her for a while. Then, suddenly, about a week before I was supposed to go in and record, she sent me a lot of material. I persuaded her to come to California and help me produce it. Frankly, I was pretty taken with her as soon as I saw her. We just sort of clicked. We became a couple right away.

 

Lily Tomlin

 

Paradine poured himself a stiff shot of whiskey. "That's pretty awful. You're not limiting to math."
"Right! I'm not limiting it at all. How can I? I'm not conditioned to x logic."
"There's the answer," Jane said, with a sigh of relief. "Who is? It'd take such a person to make the sort of toys you apparently think these are."
Holloway nodded, his eyes, behind the thick lenses, blinking. "Such people may exist."
"Where?"
"They might prefer to keep hidden."
"Supermen?"
"I wish I knew. You see, Paradine, we've got yardstick trouble again. By our standards these people might seem super-doopers in certain respects. In others they might seem moronic. It's not a quantitative difference; it's qualitative. They think different. And I'm sure we can do things they can't."
"Maybe they wouldn't want to," Jane said.

 

Lewis Padgett

 

If somehow we could snap our fingers and there would no longer be any drugs in the world whatsoever, would there be no more addiction? Would there be no more suffering? Or is it possible that addiction is not really about drugs, that addiction is really about the relationships that human beings form with one another and all sorts of things? That it's about the difference between establishing good relationships and bad relationships? Who is going to be in control? Who is going to say what this relationship should be between ourselves and these plants and chemicals and substances?... Is this a decision that we just put in the hands of government? Is this a decision we put just in the hands of doctors? Just in the hands of the pharmaceutical companies, the tobacco companies, the alcohol companies and all the other corporations that profit off of the production and sale of these things? The true challenge is how do we learn to live with these substances in such a way that they cause the least possible harm and the greatest possible good. What will cause people to wake up and say "Stop?" What will cause people to say, "Enough is enough?" What will cause people to say, "I value my freedom even if that freedom involves a measure of risk?"

 

Ethan Nadelmann

 

To me his (Edgar Allan Poe's) prose is unreadable — like Jane Austin's [sic]. No there is a difference. I could read his prose on salary, but not Jane's. Jane is entirely impossible. It seems a great pity that they allowed her to die a natural death.

 

Jane Austen

 

Awe is more than an emotion; it is a way of understanding, insight into a meaning greater than ourselves. The beginning of awe is wonder, and the beginning of wisdom is awe.
Awe is an intuition for the dignity of all things, a realization that things not only are what they are but also stand, however remotely, for something supreme. Awe is a sense for transcendence, for the reference everywhere to mystery beyond all things. It enables us to perceive in the world intimations of the divine, to sense in small things the beginning of infinite significance, to sense the ultimate in the common and the simple: to feel in the rush of the passing the stillness of the eternal. What we cannot comprehend by analysis, we become aware of in awe.

 

Abraham Joshua Heschel