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Bill Bailey

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Welcome to the O2. A unique building in Dublin, in that it is actually finished.

 
Bill Bailey

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A great new edifice is not built overnight. It was 11 years from the Declaration of Independence to the writing of the Constitution. The construction of workable federal institutions required still another generation. The greatest works of our Nation's founders lay not in documents and in declarations, but in creative, determined action. The building of the new house of Europe has followed the same practical, purposeful course. Building the Atlantic partnership now will not be easily or cheaply finished.

 
John F. Kennedy
 

"I say to the Dublin government, Mr Faulkner says it's "hands across the border to Dublin". I say, if they don't behave themselves in the South, it will be shots across the border!"

 
Ian Paisley
 

Since, on account of the proximity of the stone-quarries... nearest to the city, necessity drives us to make use of their products, we must proceed as follows if we wish our work to be finished without flaws. Let the stone be taken from the quarry two years before building is to begin, and not in winter, but in summer. Then let it lie exposed in an open place. Such stone as been damaged by the two years of exposure should be used in the foundations. The rest, which remains unhurt, has passed the test of nature and will endure in those parts of the building which are above ground. This precaution should be observed, not only with dimension stone, but also with the rubble which is to be used in walls.

 
Vitruvius
 

What was evident was that Mozart was simply written down music already finished in his head. And music, finished as no music is ever finished. Displace one note and there would be diminishment. Displace one phrase and the structure would fall. I was staring through the cage of those meticulous ink strokes at an absolute beauty.

 
Wolfgang Amadeus Mozart
 

I have long recognized the theory and aesthetic of such comprehensive display: show everything and incite wonder by sheer variety. But I had never realized how powerfully the decor of a cabinet museum can promote this goal until I saw the Dublin [Natural History Museum] fixtures redone right. […] The exuberance is all of one piece—organic and architectural. I write this essay to offer my warmest congratulations to the Dublin Museum for choosing preservation—a decision not only scientifically right, but also ethically sound and decidedly courageous. The avant-garde is not an exclusive locus of courage; a principled stand within a reconstituted rear unit may call down just as much ridicule and demand equal fortitude. Crowds do not always rush off in admirable or defendable directions.

 
Stephen Jay Gould
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