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A work of art should express only that which elevates the soul and pleases it in a noble manner. The feeling of the artist should not overstep these limits; it is wrong to venture beyond.
--
Quoted in Albert Jay Nock, Memoirs of a Superfluous Man (1943), p. 175.

 

Bettina von Arnim

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One is born an artist. The artist is a man endowed with a special nature, with a particular feeling for seeing form and color spontaneously, as a whole, in perfect harmony. If one lacks that feeling, one is not an artist and will never become an artist; and it is a waste of time to entertain the possibility. This craft is acquired through study, observation, and practice; it can improve by ceaseless work. But the instinct for art is innate. First, one has to love nature with all one's heart and soul, and be able to study and admire it for hours on end. Everything is in nature. A plant, a leaf, a blade of grass should be the subjects of infinite and fruitful meditations; for the artist, a cloud floating in the sky has form, and the form affords him joy, helps him think.

 

William-Adolphe Bouguereau

 

I painted these 'Variations' for some years and then I found it necessary to find form for the face, because I had come to understand that great art can only be painted with religious feeling. And that, I could only bring to the human face. I understood that the artist must express through his art, in forms and colours, the divine in him. Therefore a work of art is God made visible and art is ‘a longing for God’.

 

Alexej von Jawlensky

 

Two things belong to our soul as duty: the one is that we reverently marvel, the other that we meekly suffer, ever enjoying in God. For He would have us understand that we shall in short time see clearly in Himself all that we desire.
And notwithstanding all this, I beheld and marvelled greatly: What is the mercy and forgiveness of God? For by the teaching that I had afore, I understood that the mercy of God should be the forgiveness of His wrath after the time that we have sinned. For methought that to a soul whose meaning and desire is to love, the wrath of God was harder than any other pain, and therefore I took that the forgiveness of His wrath should be one of the principal points of His mercy. But howsoever I might behold and desire, I could in no wise see this point in all the Shewing.
But how I understood and saw of the work of mercy, I shall tell somewhat, as God will give me grace. I understood this: Man is changeable in this life, and by frailty and overcoming falleth into sin: he is weak and unwise of himself, and also his will is overlaid. And in this time he is in tempest and in sorrow and woe; and the cause is blindness: for he seeth not God. For if he saw God continually, he should have no mischievous feeling, nor any manner of motion or yearning that serveth to sin.
Thus saw I, and felt in the same time; and methought that the sight and the feeling was high and plenteous and gracious in comparison with that which our common feeling is in this life; but yet I thought it was but small and low in comparison with the great desire that the soul hath to see God.

 

Julian of Norwich

 

One time our good Lord said: All thing shall be well; and another time he said: Thou shalt see thyself that all MANNER of thing shall be well; and in these two the soul took sundry understandings. One was that He willeth we know that not only He taketh heed to noble things and to great, but also to little and to small, to low and to simple, to one and to other. And so meaneth He in that He saith: ALL MANNER OF THINGS shall be well. For He willeth we know that the least thing shall not be forgotten.

 

Julian of Norwich

 

Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist’s feeling for form is stronger than a formless feeling.

 

Herbert Read